International Scholars Journals. Call For Papers International Journal of Mass Communication and Media Studies (IJMCMS) is presently calling for papers in all areas of Mass Communication and Media Studies.
IJMCMS publishes high-quality solicited and unsolicited articles, in English, in all areas of the subject. The Journal welcomes the submission of manuscripts that meet the general criteria of significance and scientific excellence. Papers will be published shortly after acceptance. All articles published in IJMCMS are peer-reviewed. The following types of papers are considered for publication: Original articles in basic and applied researchCase studiesCritical reviews, surveys, opinions, commentaries and essays.
We invite you to submit manuscripts as e-mail attachment to the Editorial Office at:firstname.lastname@example.org with the following information: Our objective is to inform authors of the decision on their manuscript(s) within two weeks of submission. Television Quiz Show Simulation, Simulation & Gaming, 2007. Asia Policy. Editors C.
Christine Fair & Mark W. Frazier Managing Editor Jessica Keough Copy & Style Editor Joshua Ziemkowski. Postmodern Culture. Science Fiction Film and Television. Submission guidelines.
The Moving Image. Volume 14, Issue 1 Donald Crafton and Susan Ohmer University of Notre Dame / Editors Liza Palmer Managing Editor Caitlin McGrath Book Reviews Editor Michael Baskett University of Kansas / Film Reviews Editor Alexander Larsen Editorial Assistant Editorial Board Volume 13, Issue 2 Volume 13, Issue 1.
Wide Angle. Vol. 18 (1996) - Vol. 21 (1999)
The Velvet Light Trap. No. 51 (2003) through current issue The Velvet Light Trap is a journal devoted to investigating historical questions that illuminate the understanding of film and other media.
Science Fiction Film and Television. Music, Sound, and the Moving Image. Click here to view issues / tables of contents online Music, Sound, and the Moving Image is the first international scholarly journal devoted to the study of the interaction between music and sound within the entirety of moving image media – film, television, music video, advertising, computer games, mixed-media installation, digital art, live cinema, et alia.
Project MUSE. 2014 Areas. SGMS/Mechademia Conference on Asian Popular Cultures. Mechademia: Conference on Asian Popular Cultures / MCAD. Mechademia. Mechademia. Framework: The Journal of Cinema and Media. Volume 54, Issue 2 Framework Editorial Board Editorial Board Editor: Drake Stutesman Web Editor: Violet Lucca.
Project MUSE. Abraham Polonsky (1910-1999), screenwriter and filmmaker of the mid-twentieth-century Left, recognized his writerly mission to reveal the aspirations of his characters in a material society structured to undermine their hopes.
In the process, he ennobled their struggle. His auspicious beginning in Hollywood reached a zenith with his Oscar-nominated screenplay for Robert Rossen's boxing noir, Body and Soul (1947), and his inaugural film as writer and director, Force of Evil (1948), before he was blacklisted during the McCarthy witch hunt. Polonsky envisioned cinema as a modern artist. His aesthetic appreciation for each technical component of the screen aroused him to create voiceovers of urban cadences--poetic monologues spoken by the city's everyman, embodied by the actor who played his heroes best, John Garfield. Like Garfield, Polonsky faced persecution and an aborted career during the blacklist. Call for Papers: Media Studies at the EAJS (European Association for Japanese Studies) Conference (University of Ljubljana in Slovenia, August 27-30, 2014) Dear colleagues, We are happy to announce the call for papers for the Section 5b: Media Studies at the EAJS (European Association for Japanese Studies) Conference that will be held at University of Ljubljana in Slovenia in 2014, August 27-30.
We would like to cordially invite researchers working in the field of Japanese media and popular culture to submit any proposal dealing with various media in Japan, stretching from audiovisual to print media and from manga to anime. We would particularly encourage submission of thematically co-ordinated panels (consisting of 3 or 4 presenters with or without discussant), but individual submissions will also be considered. Sessions will normally be 90 minutes long, leaving 15 to 20 minutes per paper plus 10 minutes of discussion per person. Abstracts and panel proposals should be submitted no later than November 30, 2013.
International Scholars Journals. Search Results. Showing 1 to 15 of 522 results Harwood, Jake; Vincze, Laszlo – Journal of Multilingual and Multicultural Development, 2011 This article examines Swedish language television viewing among Finnish speakers in Finland. Finnish speakers who watch some Swedish language television are found to have more positive attitudes towards Swedish speakers and the Swedish language. Mediated models suggest that instrumental and integrative language learning motivations differentially… EsT classification@ruimoku = rep.id:0-C1990J. Service d'Authentification de l'Université Paris 8. Directory of Open Access Journals. Vlib. Search the databse. Interdisciplinary Social Sciences. 'Interdisciplinary Approaches to Contemporary Social Change' University of Split Split, Croatia 11-14 June 2015 Call For Papers The International Advisory Board is pleased to announce the Call For Papers for the Tenth International Conference on Interdisciplinary Social Sciences.
The Social Sciences Conference will be held on 11-14 June 2015 at the University of Split in Split, Croatia. Conference Themes The Conference will address a range of critically important issues and themes relating to the Interdisciplinary Social Sciences community. HUIC Arts & Humanities - Call for Papers. The conference language is in English. Please indicate the topic/area for which your paper is suitable.
Each paper will be double-blind peer reviewed in the relevant areas. Call for Research Papers, Student Papers, Case Studies, Reports, Theses, and Abstracts. Paper sessions will consist of three to four presentations in a 90 minute session. The session will be divided equally between the presenters. Workshop/Panel presentations will be given a full 90 minute session. Performances/Recitals will be given a full 90 minute session. Poster sessions a 90 minutes open concept with various presenters. Reviewers are selected among academic members of the Institute and non-related academics and researchers.
Category: film and television. Presses Universitaires de Vincennes.