How To Give Your Photos a Dark Processed Lomo Effect. This post was originally published in 2010 The tips and techniques explained may be outdated. Follow this step by step post processing guide to give your photos a dark lomo style effect with high contrast, blue tones and vignette burns. The effect is based on the popular lomographic technique and is similar to the processing effect used in many fashion shots and advertisement designs. Overall this effect does a great job of adding impact to a plain photography with cool colour casts and unusual saturation.
View full size photo effect Begin by opening your photograph of choice into Adobe Photoshop. Go to Image > Adjustments > Levels and tweak the tones of the image. At the bottom of the Layers palette, click the Adjustment Layer icon and select Curves. Change the drop down menu to Green and tweak the graph for the green channel to further alter the tones of the image. Finally alter the Blue channel, creating an inverted ‘S’ shape to enhance the blues to give a cool colour cast. Michelle’s definitive guide to great skin tones » michelle kane photography. Skin tones. Everyone wants to master them. Why are they so difficult to get right? For many reasons really. First, there’s some basic things that need to be addressed regarding capturing and creating great creamy skin tones that are smooth and even. 1. Perhaps the number one thing you can do to get better skin tones is this…. expose the image well. That means, shoot as bright as you can without blowing out your highlights.
Here, my histogram shows my image pixels bumped clear to the right, giving me nice bright, light skin. 2. 3. 4. 5. 6. 7. ETA>> For those who asked how to sync WB settings in post, Watch the video on THIS page. 8. 9. 10. These are all really simple things to do to improve not only skin tones, but your overall image. Here’s what’s coming up next! Pencil Sketch Photo. Tips and downloads for getting things done. Master a Professional Photo Retouching Workflow. Master a Professional Photo Retouching Workflow For this retouching tutorial Tom has asked me to provide an overview of a full retouching process. Most tutorials and indeed most tutorial sites will give you snippets of information, teaching a lot of bad habits and a few good ones, and it’s often difficult for the beginner or serious amateur to know when they’re following good advice. I’ve written three retouching tutorials for PSDFan so far, including healing, dodge and burn and using curves in Photoshop. These will continue to develop and you can use them alongside this professional workflow overview to get the best from your photographs, from start to finish.
As a freelance retoucher I’ve developed a regular retouching workflow that I adapt from job to job, and if you’re ready to do a bit of reading and a bit of research, bookmark this page and use it as your reference. Come back to it, master each section and ultimately adapt what you learn and develop your own retouching workflow. Photography tutorials, photoshop tutorials, lightroom tutorials.
Deb Dehaven PhotoImpact Tutorials. Tutorials. CAPTIVATE – BY TARA STATON » RESOURCES FOR PHOTOGRAPHERS. Photoshop. Lightroom. Creating a Fairy Portrait Using Corel Painter | Digital Image Magazine. This tutorial shows you how to create a fairy portrait without any props, using Corel Painter. Photography by Capture the Moment, Shelton, CT. Used with permission. One of the ways my studio, A Work of Art, helps professional photography studios keep their costs down is by providing them with digital backgrounds. Without having to spend a small fortune on props, backdrops, and sets, studios can offer creative fantasy portraits by using the magic of Photoshop and Painter. Today I’d like to show you how the portrait above was done, step by step. The process began with a phone call from Connecticut master photographer Grace Cribbins.
Once Grace sent me the photograph to paint, I needed to find a suitable background. Three rough composites sent to the photographer for approval. Grace decided to go with the third image. The original butterfly wing (left) was transformed into the fairy wing on the right. A close-up of the final painting. Dan Kosmayer (Kozzi)