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Peter Hurley’s “Squinch” Helps To Make Better Headshots. You would have to be from Mars not to know who Peter Hurley is at this point. He was one of the first photographers to let Fstoppers into his studio, and together we produced the wildly popular The Art Behind The Headshot tutorial where he shares all of his secrets.

Today Peter is publicly sharing perhaps his most important tip for making people look good in front of your camera, and it is appropriately named “squinching.” A typical “Hurleyism”, Squinching is a made up word for something Peter has been trying to explain for years. Peter argues that when people have wide eyes they look vulnerable, scared, fearful, and overall uncertain. Those qualities usually do not work well for headshots which typically need to portray confidence, approachability, mystery, and intrigue. For Peter’s actor clients, they only have one chance to show off their personality to a casting agent, so they need to look their best.

Related Peter Hurley: The Art Behind The Headshot DVD In "Peter Hurley DVD" New Corporate Head Shot Technique In Photoshop. Phlearn has something ridiculous like 500 free photoshop tutorials to help you polish your images. This tutorial series, so far, has been one of my favorites. Aaron Nace, the founder of Phlearn, shows us a new technique with custom brushes for giving your subjects a unique corporate head shot look. This tutorial is a 4 part video series, enjoy. There are so many ways to position your subjects, set up your lighting, deal with skin tones, and apply texture and tone in Photoshop. Aaron Nace, AKA the Tony Hawk of Photoshop, has given us some mighty helpful tips on making custom brushes to not only smooth out your subjects skin texture but also preserve the details with a new process (for me) by taking the high pass filter one step further to preserve the mid tone skin texture as we see in part 2 below. Part 2: Part 3: Part 4: Final Images of the Phlearn Staff: What do you guys think of the post processing on these images?

Other Workshops from Aaron Creative Live: Fstoppers Workshops: Related. Building a Film Style Look in Lightroom. If there's has been a noticeable trend in post-production in the past few years, it's the enthusiasm for old school, film-style looks. Multiple preset packs and actions exist to take your images back in time. However, in this tutorial, we'll learn how to build and customize our look in three easy steps in Adobe Lightroom. Defining the Film Look To build the film look, we will want to understand what characteristics film photography has. I've taken the time to round up some film photographs and want to highlight the details that make film so memorable and unique. Although each type of film is unique, there are some common styles that define the film feel.

Check out famous films like Velvia, Provia, Kodak Gold, and Ilford Delta to sample the many styles of film that exist. This photo showcases the modified black and white points that I think characterize film. Film captures a tremendous amount of dynamic range, the amount of detail captured between absolute black and absolute white. How To Make A Hyperlapse. This Beautiful Hyper Lapse Of Barcelona Is Pure City Love (And 24,000 Photographs) Keep It Simple: Shoot Great Video Simply and Effectively. If you’re curious about learning how to shoot video with your DSLR, or wanting to improve the video you shoot, this might be right up your alley. New York fashion and portrait photographers and videographers, Lindsay Adler and Jeff Rojas, are about to kick off a 3 day workshop called ‘Keep It Simple – Video for Photographers’ on Creative Live focused on helping photographers make the jump into shooting great video simply and efficiently.

As someone who has come back to focus more on my stills photography to improve the quality of my video work, I know there are also plenty of photographers out there who are focused on stills but want to learn how to translate this into being able to shoot video with their DSLRs. Lindsay and Jeff are looking to provide simple and accessible stepping stones to give everyone the necessary foundation and skills to shoot great video with the gear they have.

Read on to find out what these were and how you can learn from her experiences… Gear Camera Settings Audio. How To Make A Hyperlapse. Long-exposure photography of Toby Harriman | Adobe Inspire Magazine. While most photographers capture a specific moment in time, Toby Harriman prefers to capture many, many moments of time, resulting in an image that better conveys the ambience of a place. Instead of fractions of a second, think minutes or longer — plenty of time for a landscape to reveal its character, not just its presence. Growing up in Aspen, Colorado, Toby spent much of his formative years playing sports and being outdoors. He trained his Nikon 60D primarily on his family during ski trips. It wasn't until his senior year of high school that he finally took a studio photography class — and fell in love with working digitally and applying effects in Adobe Photoshop. When he ventured out west to San Francisco, California, Toby started getting into outdoor photography in a big way and became fascinated with long-exposure shots.

Considering his relative youth (he's 23) there's much to admire about the breadth and consistency of his work. 5 Things You Didn't Know About Curves. Phans of Phlearn are already familiar with Curves as one of the most powerful luminosity and color adjustment tools in Photoshop. Whether you’re adding contrast, brightening shadows, or giving a kiss of magenta to your mid-tones, Curves has the capabilities to get the job done. But there’s so much power packed beneath the hood that most users only ever scratch the surface of what’s possible with this awesome tool. Here are five cool things you probably didn’t know about Curves: 1) Curves is like Levels on steroids.

“Anything you can do I can do better. For black and white points the controls are much the same as in Levels: set black and white points by using the eyedropper tools and clicking within the image, or move the black and white point sliders in the Curves window. So far this is the same functionality as Levels, but where Curves really shines is in its ability to control mid-tone brightness. Hover over to see curves contrast. Hover over to see before. BOOSTING THE MILKYWAY: LIGHTROOM TUTORIAL. Sparkler Photos That Brides Will Love.

Sparkler Photos That Brides Will Love It’s a growing trend in wedding photography these days to do photos with sparklers, and yes, you can blame Pinterest. Whether it’s sparkler exits, or long exposure sparkler photos, your brides will expect you to know how to do these and will very likely ask you to do them on the spot! With this system, you’ll be able to nail them every time! Shooting sparkler photos for many of my clients has been one of the best marketing opportunities I’ve had in the past few years. These photos spread like wildfire, and your couples will absolutely love them if you do them right. I have developed a system that allows me to get great sparkler shots every time, and I hope it can do the same for you. It is very important that these shots are done at the right time of night so that you can have your shutter open long enough to get creative with your sparklers.

These shots are best done with a tripod and a wide angle lens. 30 sec / ISO 400 / f/5.6 Short Exposure Related. Wp-content/uploads/2013/09/LightroomMagazineIssue7.pdf. Use Custom Brushes to Create Atmosphere in Photoshop. Creating Custom Brushes To save you the time we have packaged the brushes from this tutorial together for you. Click Here to download the custom brushes! Custom Brushes can be used to create many different effects in Photoshop. Often times what you need from a brush is well outside of the “soft round brush” that photoshop comes with as a default. The trick can be knowing how to create the custom brush that will actually work for your image. In this episode we cover everything you know to create custom brushes from scratch as well as use them to enhance your images! Final Image Hover over to view the edit. Videos Landing. What's better than a Quick Guide or a Manual for learning a new product?

Videos of course. From Tutorials to Behind the Scenes videos and PW TV, we have videos that will get your creative juices flowing. Education & Webinars From video tutorials to PW TV, here you will find what you need to learn more about PocketWizard photo products. More Information Product Intros Check out these product intro videos for an overview of some of PocketWizard's newest products. More Information Behind the Scenes Ever wonder how the pros get that perfect shot.

More Information. Viveza 2 - Getting to Know Control Points. Create A Wiggle GIF Animation. I am going to show you just how easy it is to create a wiggle GIF animation just like the ones below! (If GIFs are having trouble loading, just click them) We are not going to be using any fancy stereoscopic cameras 'cause I know you probably don't have one of those. Instead we are going to be creating the wiggle GIF from a very short video.

Now that almost all digital cameras and phones have video capability, I expect this Instructable should set you on track for a lifetime of GIF making - Giffing. Sterescopic GIFs are only two frames and look like this. Here is an example I found of another multi-frame wiggle gif similar to what we are creating. Fotoskolan: Färgjustera dina jpg-bilder. Blog / Tutorial — Learn HDR Photography. Hey! Let’s learn HDR photography together. Our instructor today is Trey Ratcliff. If you haven’t met him yet, Trey is HDR guru, old school gentleman explorer, fellow 500px-er, and an all-around great guy. So let’s venture out on a journey and learn from Trey how to take best HDR images possible, what software to choose & how to use it, and pick up a few neat ticks along the way.

Introduction HDR is an acronym for High Dynamic Range. The human eye can see so much more than a single shot from your camera! The human eye can see about 11 stops of light. HDR Examples Here are a few interesting HDR photographs that I have taken that people seem to like. Step 1: Tools & Software First you need to gather your equipment (camera, lens, tripod) and software. Camera. 90% of cameras sold today can take great HDR photos. Software. Recommended HDR Software: Step 2: Go out and shoot The idea is to take under exposed, over exposed photos and photos with normal exposure. Bracketing. Aperture priority. Capture One Pro 7 RAW Conversion Tutorial.

Capture One Pro 7 offers a natural transition for photographers currently working with other RAW converters and Asset Management applications like Adobe Lightroom and Apple Aperture. Photographers are able to use the tools they are used to but with RAW conversion in a customisable professional workspace. How To Get Started Launch Capture One and follow the startup dialog to create a new Catalog. A Catalog is the primary method of image management in Capture One, although you can also manage your images in Sessions. Tutorials on using 'Catalogs' and 'Sessions' are available on the Phase One website.

Populate your catalog by choosing File>Import Images or using the icon on the toolbar or the large import icon in the centre of the screen. Follow the Importer dialog and click the red Import.. button in the bottom right of the screen. Therefore this creates an 'all-in-one' catalog which is easy to move and copy. The Capture One Interface Adjusting Images Using Variants Exporting Files. Capture One Pro 7 video tutorials. How To Shoot Time Lapse Photography - Quick & Dirty with Chase Jarvis. _How many seconds of time-lapse video can be produced in two hours? _How do you set up your camera for time lapse? _What kind of gear do you need? _What kind of results can you get with a $200 camera vs a $5,000 camera? I sat at the top of Signal Hill in Capetown, South Africa a few weeks ago to shoot some timelapse for a video project I’m working on.

In the process, I thought we’d bust out a video to demonstrate the possibilities. I explain in the video above. We shot a Nikon D3s, a Nikon D7000 and two GoProHero2′s to create four different angles. How To Stylize A Portrait Using Layer Blending Modes In Photoshop. Sometime you get a great image from a shoot, but it just doesn’t have enough pizzaz straight out of the camera. It may look like the image below was taken with extremely punchy lighting, but a lot of the stylization was done in Photoshop using layer blending modes. By duplicating the image multiple times and using blending modes like Screen and Overlay, we’re able to alter different parts of the image separately using layer masks to make sure it looks the way we want it to.

The blend if function is very useful when styling an image in this manner – if we want a layer set to screen to only show up in the highlights on Ashley’s face, simply drag the sliders so it only shows up where the image is brighter. Sharpening + Coloring Your Image A great, quick and easy way to sharpen your photos is to combine the high pass filter on a greyscale duplicate of your image with layer blending modes. Final Image Hover over to view original.