Talking galleries barcelona 23 oct.key. Minerva: Vivir el arte. Entrevista con María Corral. ¿Cómo ve alguien como usted, que ha tenido la oportunidad de influir en las políticas culturales de este país, la evolución del arte contemporáneo en las aproximadamente tres décadas que llevamos de democracia? Hay que diferenciar entre lo que es la evolución de las instituciones y la de la creación artística, que no necesariamente van en paralelo.
El desarrollo reciente de este país desde el punto de vista de las instituciones artísticas y culturales –creación de museos, de centros y de salas de exposiciones– ha sido impresionante. Todas las autonomías e incluso las ciudades pugnan por tener su museo de arte contemporáneo y su auditorio al igual que antes tenían una plaza de toros y un estadio de fútbol. En cuanto a la creación artística, ha tenido sus altibajos. En cuanto a la necesidad de mantener una política cultural coherente, cuando la nombraron directora del Reina Sofía, ¿puso cuidado en no cambiar de manera radical lo que había dejado en marcha la anterior dirección? Jeanine Hofland Contemporary Art. KANVAS - Studievereniging voor de Kunstgeschiedenis Amsterdam | loopbaan. Hollybush Gardens.
Online • Artists at Work: Anne Tallentire. Anne Tallentire's practice engages a range of media and forms including installation, performance and moving image. Tallentire was born and raised in Co. Armagh in the north of Ireland, and has lived and worked in London since 1984. Tallentire is now a professor and tutor at Central Saint Martins College of Art and Design, as well as a convenor of the research project Double agents, which seeks to incite performative dialogues between interdisciplinary and international artists. Central to Tallentire’s investigation is how institutional, political and social systems might produce a peripatetic practice.
Her practice often forms itself on the street, from filming workers in the city of London to locating materials that are used in installations. The ensuing investigations are made both individually and in collaboration with others in the gallery space, notably with John Seth, under the banner of long term collaborative practice work-seth/tallentire. Making Present Thought.
Contact :: Jeanine Hofland Contemporary Art. StaffDirectors: Jeanine Hofland & Sjoerd KloosterhuisAssistants: Lara Schoorl / Zoe Rosielle AddressDe Clercqstraat 62 1052 NJ Amsterdam The Netherlands Phone +31(0)20 75 31 596 Mobile +31(0)6 2434 3290 E-mail mail@jeaninehofland.nl Sign up here for our newsletter follow us on: Facebook, Twitter, Instagram Opening hours (during exhibitions only): Wednesday until Saturday 13.00h – 18.00h (or by appointment) Office hours: Wednesday until Friday 10.00 – 18.00, Saturday 13.00 – 18.00 Internships: The gallery offers an internship for a minimum period of 3 months. Job opportunities: There are currently no vacancies at the gallery Artist submissions: We are very grateful for your interest in the gallery, but please do not send us unrequested catalogs or portfolio’s by post or e-mail. KunstKoop: We offer the KunstKoop, for more information click here Event hire: The gallery space and/ or garden are available for private and corporate venue hire.
Location: El arte de Höller abre el Centro Botín. Albert Baronian | Art Gallery | Brussels, Belgium | Contact. Studio Berlin – Study on contemporary art in Berlin: Institut für Strategieentwicklung. Studio Berlin – Study on contemporary art in Berlin Whoever watches the present depends on a diversity of perspectives. The most interesting developments cannot be categorized usually.
To cover the field of contemporary art in a study is a very special challenge since it changes while being described. It is part of the character of art, that a description of contemporary art cannot have an universally valid conclusion. We regard art as communication and start with art being a system of communication of modern society. Art developes itself freely and choses the criteria by which it defines itself. We have examined this playing ground since the beginning of last year and have evaluated copious amounts of information. We checked already known data about contemporary art in Berlin by strict criteria. The terms of the city for contemporary art in Berlin and some aspects of the historic development will be presented in the following paragraph. Metropolis Berlin A Place for Artists (of Life) The duo behind the Moving Museum. 'Ville Urbaine' (2010) by Shezad Dawood As a backdrop for an exhibition of contemporary art, 180 The Strand, in central London, takes some beating.
This bleakly beautiful 1970s building, with fine views across the Thames, is the venue for the Moving Museum, a travelling project that presents pre-eminent works in cities worldwide. The exhibition, Open Heart Surgery, which opens during Frieze Week (and closes on December 13), includes more than 200 pieces by 31 artists, spread across 35,000 sq ft of the sprawling modernist monument. The show is a significant addition to the giddy art merry-go-round spinning across the capital this week.
The works are for sale and wealthy individuals frequenting Frieze London will no doubt make the show part of their circuit. But this non-profit venture promises something rather more radical. The pair could be poster children for today’s global contemporary art world. 'Occupy the Cloud II' (2013) by James Bridle ©Christian Sinibaldi. El Mercado del Arte Global en 2013, Clare McAndrew, Barcelona, Abril 2013. Asesoría legal - www.porypara.es.
Exhibit-E. Projetos « ABACT. Latitude - Platform for Brazilian Art Galleries Abroad O Projeto de Internacionalização da Arte Contemporânea Brasileira foi iniciado em 2007 pela Apex-Brasil (Agência Brasileira de Promoção de Exportações e Investimentos) e a Fundação Bienal de São Paulo, com o intuito principal de promover o setor de galerias de arte contemporânea brasileiro, criando oportunidades para projetos e negócios no exterior. Desde 2011, o Projeto passou a ser administrado pela ABACT e a Apex-Brasil, e em 2012 recebeu o nome de Latitude – Platform for Brazilian Art Galleries Abroad. Hoje, 52 galerias de arte contemporânea brasileira participam do Latitude, sendo 42 delas também associadas à ABACT. Estas 52 galerias de 7 estados brasileiros representam mais de mil artistas brasileiros contemporâneos. As ações desenvolvidas pelo Latitude são bastante variadas e procuram atender as galerias em seus diferentes estágios de internacionalização.
Clique aqui para conhecer o programa de aulas. Jocelyn Wolff. Kamel Mennour. Ben Brown. Georgina Adam. Tim Marlow.
Edward_ Winkleman. As we walked from the gallery last night, Murat pointed out a thread connecting a series of conversations we've had with collectors, critics, dealers, and artists over the past few months. There's been plenty of chatter about the squeeze on the middle tier of the art market / art world lately, but he said, and it struck me the way only something undeniable and right before your nose the whole time can, that up and down the entire system, current trends are profoundly discouraging that class of people we consider to be in the art world "for the right reasons": the true believers. And thinking about what the art world might look like without those people, should they become so disillusioned they leave it altogether, made me shudder.
Of course, there has been a wide-range of very high-profile and public defections / distancings from the art world lately. Collectors, journalists/thinkers, critics, etc., have all announced how "vulgar" or "nasty" or "filthy" it's all become. 1. Dear Alain, Gallery - Contact Us. Contact Us Winkleman Gallery Temporary Mailing Address 303 East 37th Street, #6P New York, NY 10016USA Telephone: (1) 212-643-3152 Email: info@winkleman.com Staff Edward Winkleman: edward@winkleman.com Murat Orozobekov: murat@winkleman.com Jay Grimm: jay@winkleman.com Alexandra Torres: alex@winkleman.com Submissions Please note that we are not currently reviewing artist submissions.
For advice to artists seeking gallery representation, please visit Edward Winkleman’s blog posts here. Follow us on: Sylvain Levy: DSL Collection. 2013 Chinese contemporary art market changes - Favorites News. Xu Bing story behind 7 << >> Local 2011 Wen / Wang Yuan Recently, with the 2013 spring auction kicked off in succession, the industry is most concerned about a topic is whether the signs of the Chinese art market. Indeed, the major auction houses based on the current data generally show spring auction market, 'better than expected.' Question: the market to pick up just around the corner? 2012, after five consecutive years of rapid growth, the Chinese art market into a period of adjustment, especially painting and contemporary art section.
According Artron Market Monitoring Center (AMMA) to incomplete statistics, compared to the same period last year decrease of 33.91% this year, at the beginning, there is a growing number of critics said the Chinese art market may be bottoming out, this argument has little basis for it? Found: classic contemporary art market is still depression Steering: Reshaping Contemporary Chinese Art Market. China flexes its muscles in the contemporary art market. 8 June 2011Last updated at 17:27 By Katie Hunt Business reporter, BBC News, Hong Kong This picture by Fang Lijun went for three times its original estimate Standing at the back of the packed sale room, the Chinese man, casually dressed in a green shirt, was barely visible to the auctioneer.
Undeterred, and helped by gesturing bystanders, his paddle finally caught the auctioneer's gaze and, after some fierce bidding, he paid 21.9 million Hong Kong dollars ($2.8m; £1.7m) for the monochrome oil canvas of two bald, quizzical men, by Fang Lijun - three times more than the pre-sale estimate. Other bidders at the sale of Chinese and Asian contemporary art, in Hong Kong last week, complained security guards had refused them entry into the main sale room, saying it had been dangerously overcrowded. They, like collectors and investors elsewhere, are clamouring for a slice of the white-hot market for Chinese contemporary art. Soaring prices Auctions of Chinese art attract huge crowds Blistering pace. A Chinese Biennale? Cheng Xiaodan, Skin, silicone sculpture with safety pins, dimensions variable. In "Voice of the Unseen. " Shao Fan, Work 1, 2004, sculpture, 43 by 40 by 59 inches. In "Confronting Anitya.
". Guo Fengyi, Huangdi Mausoleum, 1996, colored ink on rice paper, 102 by 28 inches. In "The Encyclopedic Palace. " Courtesy Long March Space and the Venice Biennale. Zhong Biao, The Universe of Unreality: Zhong Biao's Visions, 2013, painting and video installation. Xiao Lu, Toxins, 2011-13, Chinese medicinal oil and toxins on rice paper, 32 by 32 inches. Cai Yuan & Jian Jun Xi, Scream in Venice Biennale 2013, performance in front of Ai Weiwei's wooden stool installation at the German pavilion. Ai Weiwei, S.A.C.R.E.D., 2011-2013, each diorama 150 by 78 by 60 inches, installation at the Chiesa di Sant'Antonin.
Ai Weiwei, S.A.C.R.E.D., 2011-2013, diorama in fiberglass and iron. Artist Qiu Zhijie in front of one of his wall drawings in "The Unicorn and the Dragon," 2013, mixed media. Collecting the 21st Century Way: DSL & their Online Chinese Contemporary Collection | ArtLife Magazine. “I believe, what is important, is to give visibility to art and the artists, in particular those who are not necessarily the darlings of the auction market.” -Sylvain Levy In this digital age, the art world is not unfamiliar with innovative progressive technologies- be it an app, online art fair or in the case of Dominique and Sylvain Levy, a virtual collection of artwork online. Collectors Dominique and Sylvain Levy, known in short as DSL, have newly launched their online component for their 120-piece collection of contemporary Chinese art. This virtual museum component, which comprises temporary and permanent exhibitions of the collection curated by guest curators, is extremely unique for collecting.
The viewer can view the artwork in the collection, and also read articles written by the artists and curators. In the upcoming year, DSL plans to launch a 3-D platform, which will give online visitors the chance to virtually visit temporary exhibitions. María de Corral - ExpoActual. Nacida en Madrid, es crítico de arte y comisaria independiente. Actualmente es Coordinadora de la Colección Arte Contemporáneo (depositada en el Museo Patio Herreriano de Valladolid); miembro del Comité Científico del Museo Nacional Reina Sofía; Patronato del Museo Thyssen Bornemisza; Consejo Asesor de Artes Plásticas del Wexner Center for the Arts, Columbus (Ohio); KURATORIUM, Neues Museum Weserburg, (Bremen); Patronato de la Fundación NMAC, Montenmedio, Véjer de la Frontera; miembro del Patronato Fundación Arquitectura y Sociedad; Patronato del Centro Galego de Arte Contemporáneo (CGAC).
Co-Dirige Expo Actual S.L. empresa dedicada al comisariado de exposiciones de arte moderno y contemporáneo, la elaboración de proyectos museográficos y museológicos y la asesoría artística a nivel privado e institucional. Senior Curator del Dallas Museum of Art, USA. (2005-2008). Fue Directora de la 51 Biennale di Venecia, 2005, comisariando la exposición “La Experiencia del Arte”.
María Corral | Fundación Arquitectura y Sociedad.