Talking galleries barcelona 23 oct.key. Minerva: Vivir el arte. Entrevista con María Corral. ¿Cómo ve alguien como usted, que ha tenido la oportunidad de influir en las políticas culturales de este país, la evolución del arte contemporáneo en las aproximadamente tres décadas que llevamos de democracia?
Hay que diferenciar entre lo que es la evolución de las instituciones y la de la creación artística, que no necesariamente van en paralelo. El desarrollo reciente de este país desde el punto de vista de las instituciones artísticas y culturales –creación de museos, de centros y de salas de exposiciones– ha sido impresionante. Todas las autonomías e incluso las ciudades pugnan por tener su museo de arte contemporáneo y su auditorio al igual que antes tenían una plaza de toros y un estadio de fútbol. En cuanto a la creación artística, ha tenido sus altibajos. Jeanine Hofland Contemporary Art. KANVAS - Studievereniging voor de Kunstgeschiedenis Amsterdam. Hollybush Gardens. Artists at Work: Anne Tallentire. Anne Tallentire's practice engages a range of media and forms including installation, performance and moving image.
Tallentire was born and raised in Co. Armagh in the north of Ireland, and has lived and worked in London since 1984. Tallentire is now a professor and tutor at Central Saint Martins College of Art and Design, as well as a convenor of the research project Double agents, which seeks to incite performative dialogues between interdisciplinary and international artists.
Central to Tallentire’s investigation is how institutional, political and social systems might produce a peripatetic practice. Her practice often forms itself on the street, from filming workers in the city of London to locating materials that are used in installations. In the conversation below, writer and curator Lisa Panting speaks to Tallentire shortly after a screening of the latter's work at Picture This, Bristol and before a professorial platform event at the Cochrane Theatre, London. Jeanine Hofland Contemporary Art. StaffDirectors: Jeanine Hofland & Sjoerd KloosterhuisAssistants: Lara Schoorl / Zoe Rosielle AddressDe Clercqstraat 62 1052 NJ Amsterdam The Netherlands Phone +31(0)20 75 31 596 Mobile +31(0)6 2434 3290 E-mail mail@jeaninehofland.nl Sign up here for our newsletter follow us on:
El arte de Höller abre el Centro Botín. Brussels, Belgium. Studio Berlin – Study on contemporary art in Berlin: Institut für Strategieentwicklung. Studio Berlin – Study on contemporary art in Berlin Whoever watches the present depends on a diversity of perspectives.
The most interesting developments cannot be categorized usually. To cover the field of contemporary art in a study is a very special challenge since it changes while being described. It is part of the character of art, that a description of contemporary art cannot have an universally valid conclusion. We regard art as communication and start with art being a system of communication of modern society. Art developes itself freely and choses the criteria by which it defines itself. We have examined this playing ground since the beginning of last year and have evaluated copious amounts of information. The duo behind the Moving Museum. 'Ville Urbaine' (2010) by Shezad Dawood As a backdrop for an exhibition of contemporary art, 180 The Strand, in central London, takes some beating.
This bleakly beautiful 1970s building, with fine views across the Thames, is the venue for the Moving Museum, a travelling project that presents pre-eminent works in cities worldwide. The exhibition, Open Heart Surgery, which opens during Frieze Week (and closes on December 13), includes more than 200 pieces by 31 artists, spread across 35,000 sq ft of the sprawling modernist monument.
The show is a significant addition to the giddy art merry-go-round spinning across the capital this week. El Mercado del Arte Global en 2013, Clare McAndrew, Barcelona, Abril 2013. Asesoría legal - www.porypara.es. Exhibit-E. Projetos « ABACT. Jocelyn Wolff. Kamel Mennour. Ben Brown. Georgina Adam.
Tim Marlow.
Edward_ Winkleman. As we walked from the gallery last night, Murat pointed out a thread connecting a series of conversations we've had with collectors, critics, dealers, and artists over the past few months.
There's been plenty of chatter about the squeeze on the middle tier of the art market / art world lately, but he said, and it struck me the way only something undeniable and right before your nose the whole time can, that up and down the entire system, current trends are profoundly discouraging that class of people we consider to be in the art world "for the right reasons": the true believers. Gallery - Contact Us. Contact Us Winkleman Gallery Temporary Mailing Address 303 East 37th Street, #6P New York, NY 10016USA Telephone: (1) 212-643-3152 Email: info@winkleman.com Staff Edward Winkleman: edward@winkleman.com Murat Orozobekov: murat@winkleman.com Jay Grimm: jay@winkleman.com Alexandra Torres: alex@winkleman.com Submissions Please note that we are not currently reviewing artist submissions.
For advice to artists seeking gallery representation, please visit Edward Winkleman’s blog posts here. Sylvain Levy: DSL Collection. 2013 Chinese contemporary art market changes - Favorites News. Xu Bing story behind 7 << >> Local 2011 Wen / Wang Yuan Recently, with the 2013 spring auction kicked off in succession, the industry is most concerned about a topic is whether the signs of the Chinese art market.
Indeed, the major auction houses based on the current data generally show spring auction market, 'better than expected.' Question: the market to pick up just around the corner? China flexes its muscles in the contemporary art market. 8 June 2011Last updated at 17:27 By Katie Hunt Business reporter, BBC News, Hong Kong This picture by Fang Lijun went for three times its original estimate.
A Chinese Biennale? Collecting the 21st Century Way: DSL & their Online Chinese Contemporary Collection. “I believe, what is important, is to give visibility to art and the artists, in particular those who are not necessarily the darlings of the auction market.”
-Sylvain Levy In this digital age, the art world is not unfamiliar with innovative progressive technologies- be it an app, online art fair or in the case of Dominique and Sylvain Levy, a virtual collection of artwork online. Collectors Dominique and Sylvain Levy, known in short as DSL, have newly launched their online component for their 120-piece collection of contemporary Chinese art. This virtual museum component, which comprises temporary and permanent exhibitions of the collection curated by guest curators, is extremely unique for collecting. The viewer can view the artwork in the collection, and also read articles written by the artists and curators. María de Corral - ExpoActual.
Fundación Arquitectura y Sociedad.