Sharjah Art Foundation - Home. Candice Breitz. Moving Image New York 2014. Moving Image art fair · Video, Film, Installation & Sculpture. VIDEOART AT MIDNIGHT. MABEL PALACÍN. Cinémathèque de Tanger. R4 / Actualité / Inauguration de la phase de planification des travaux (image) Kaleidoscope - Videoclub. CANDICE BREITZ. DEAR JESUS, DO SOMETHING! Art Collector Ranking - The Art Collector and Artist Search for an Art Gallery - Larry's List. This week, Larry’s List, the world’s leading art collector database, looks at the world’s most exciting new media and video art collections.
Globally, video and new media art works are presented in 10% of global art collections. This is still considerably small compared to paintings, which are present in 83% of global art collections. Still, this number marks its growing popularity of this genre. One of the largest video collections in the world is owned by German collector Ingvild Goetz who owns over 500 video and film works. She exhibits them at Haus der Kunst, Munich and in her own museum, Sammlung Goetz. Interestingly, 9 out of the Top 10 video and new media collectors are women. 6 are based in Central Europe. (© Simon Vogel) Art Collector Ranking - The Art Collector and Artist Search for an Art Gallery - Larry's List.
Cinedans. Festival d'Art Video et Cultures Numériques - VIDEOFORMES. Video art. Panoramas do Sul - Videobrasil. Em busca do Outro A mostra Panoramas do Sul do 18º Festival de Arte Contemporânea SESC_Videobrasil traça um diagrama dinâmico, que dá visibilidade a um expressivo recorte da produção artística mais recente do eixo Sul geopolítico (América Latina, Caribe, África, Oriente Médio, Europa do Leste, Sul e Sudeste asiático, e Oceania).
Seu recorte nos convoca a encontrar um conjunto de questões estéticas, políticas, sociais e subjetivas que caracterizam tanto a contemporaneidade, de modo mais geral, quanto as tensões específicas típicas desse território-rede e de seus contextos e trocas. As dinâmicas e perspectivas desse diagrama constroem múltiplas aproximações, favorecendo um intenso diálogo entre distintas formas de expressão artística, visões de mundo, apropriações de toda ordem e rearticulações da tradição e da história. Tudo isso sob a ótica do Sul – e do conjunto de deslocamentos, passagens e trajetos entre esse território e o Norte.
Densidades possíveis. Yamaguchi Center for Arts and Media - Art: Ryuichi Sakamoto "ART-ENVIRONMENT-LIFE" Exhibition of Ryuichi Sakamoto's work wrapping up the YCAM 10th Anniversary Program Three installations by Ryuichi Sakamoto + Shiro Takatani concurrently on display The exhibition "ART - ENVIRONMENT - LIFE" by musician Ryuichi Sakamoto, the artistic director for the 10th Anniversary Program, opens as part of the Anniversary Program at the Yamaguchi Center for Arts and Media [YCAM].
The exhibition introduces three installations realized in collaboration between Sakamoto, artist Shiro Takatani, and the YCAM InterLab team, as a result of Sakamoto's and Takatani's stay in Yamaguchi. Ryuichi Sakamoto's thoughts and practice related to ART, ENVIRONMENT and LIFE Humans today are leading comfortable lives based on the fertile cycles of civilization-informed urban spaces and the surrounding nature. Yamaguchi Center for Arts and Media - Art: Ryuichi Sakamoto "ART-ENVIRONMENT-LIFE" Ceren Erdem, Jaime Schwartz, and Lisa Williams. Even art has left the spaces of enclosure in order to enter into the open circuits of the bank.
. - Gilles Deleuze, “Postscript on the Societies of Control,” 1992 In 1970, at the height of the Vietnam War, The Museum of Modern Art, New York, opened the now-seminal exhibition Information, which posited that art could not function in isolation from rapidly expanding global networks. Curator Kynaston McShine wrote, “Art cannot afford to be provincial, or to exist within only its own history, or to continue to be, perhaps, only a commentary on art. Now, almost 45 years later, McShine’s prescient remarks are tinged with an increased urgency. In this context, we might ask, how should the role of the artist shift? Digital Analogy Exhibition & Encounter, MAC Bogotá - Sedition blog. Photo ‘Blackboard Notes’ by Roy Ascott, 1967.
Digital Analogy is an exhibition that addresses computer code from an artistic approach. The artists participating stand out as pioneers who have influenced the creation of current interactive interfaces. They are some of the pioneers of Electronic and New Media Art, as understood today. The exhibition explores the artistic, social and scientific discourses in an effort to understand the evolution of New Media Art. Looking at the different approaches the curator seeks to comprehend some of the philosophical and technological evolutions brought to the arts. Visitors to the exhibition can expect to enjoy an interactive layout with video installations, mapping projections and site-specific interventions. Invited artists: Sedition artists: Sponsored by British Council Bogotá-Colombia and IFA In partnership with Sedition Curated by John Angel Rodriguez. Towards a Militant Conceptualism. Towards a Militant Conceptualism is a short hybrid film dealing with the political capacity of art in the contemporary world.
The film explores artist’s experiences of protest, confronting agents of the State and questioning the origins of law. This is an open argument on political activism and its effectiveness with the proposition of art as a form of protest. Seemab Gul studied Fine Art and then MA in Film at the London Film School. She has made a number of short films that have been to local and international festivals. She has completed an art residency at no.w.here. With over ten years of film production experience, Inesa graduated from the National Film and Television School with an MA in Film and TV Producing. Short Film: Towards a Militant Conceptualism.