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The L Magazine - New York City's Local Event and Arts & Culture Guide. Image courtesy Liz Atzberger Developed by a British company known as Surrey Nanosystems, Vantablack is a “superblack” substance made of carbon nanotubes.

The L Magazine - New York City's Local Event and Arts & Culture Guide

It’s considered the world’s darkest material, its chasmic blackness so deep and visually bewildering that its application to three dimensions appears to flatten them into two. Albeit not breaking news—its creation was announced several months ago—Vantablack’s existence is deeply cool. What’s more, it is also a very rich substance for pondering potential uses, artistic and otherwise, which recently prompted this writer to encourage others to do the same, prefaced more or less as such: Of course, one of the first things I learned upon sharing this prompt was that my conjectural 'someone' already exists, Anish Kapoor. And now for the ideas of several others, mostly Brooklyn-based creatives: Timothy Shaw: The first thing I thought of was using it on an ice skating rink, but it would probably wouldn’t work with the ice. Le Cabinet, espace de production photographique.

Space Images. In Defense of the Poor Image. Hito Steyerl The poor image is a copy in motion.

In Defense of the Poor Image

De l’incertitude de la représentation. Death of a Cameraman. Colinminer. T293 – Tris Vonna-Michell. Light Industry. Tuesday, November 10, 2009 at 7:30pm Not a Futurist Film but a Film Without a Future Sandra Gibson and Luis Recoder with Ben Owen Performa 09 at Light Industry In their collaborative film performances, Sandra Gibson and Luis Recoder employ simple mechanical means to hypnotically elaborate ends. 16mm loops, spray bottles, colored gels, unfocused lenses and hand-shadows combine, through rehearsed recipes, into slowly mutating light-sculptures: morphing color-fields, angel-white auras, fusing penumbrae, pulsing vertical lines.

Light Industry

Built upon occulted rhythms of film projection, their work retains a personal, human scale, even as the viewer succumbs to its transportive powers. Their performances melt the projector’s machine materialism into ethereal experiences. For tonight’s event, Gibson and Recoder team with sound artist Ben Owen to premiere Entanglements for Four Projectors, a performance for 16mm projectors with live audio. About Performa 09. Sam Cotter - RIC - Exhibitions. SUNBURN. ALISON ROSSITER : LAMENT, Expired Papers. SABOTAGEM by leticia ramos. Deserteurs_b-®solinas. Officina-obscura.tumblr.

Capucine Vandebrouck. Camera Obscura La loupe est placée à la distance optimale du mur pour faire le focus et projette alors l'image de la salle retournée, telle une camera obscura.

Capucine Vandebrouck

Plagiarama: PORTRAIT DE L'ARTISTE EN CERVEAU Exposition. Plagiarama is looking towards north, south, east, west.Plagiarama thinks that going one mile east is the same as going one mile west.Plagiarama is now a Brussels contemporary art space whose specific project is to be run by artists, focusing on issues about curatorial practices-that is creating relationships among art works, and concentrating on the prospects for creation, experimentation, participation and production of specific artworks.


Originally founded by A. Arnaud, S. Lamy, E. Maidon and Y. Mathieu-Chovet, Plagiarama is now directed by initiatives from Yuna Mathieu-Chovet. This space is at the same time a diffusion platform, an exhibition space, a place for meetings and exchanges. Plagiarama offers perspectives around 360 degrees. Hors Champ : THOMAS CARTRON.

Album III (detail) by Luis Jacob. - Angela Grauerholz. Description This experimental artwork offers a new way to navigate within an archive about the history of modernism, consisting of more than four thousand documents. - Angela Grauerholz

Work / not Work - Arthur Debert. CCW_2014_installation_9_large.jpg (JPEG Image, 1000 × 667 pixels) CCW_curtain_and_sky_2014_large.jpg (JPEG Image, 667 × 1000 pixels) Oeuvre de Dominique Blain: Something-Nothing, 2004. Not to be given away. Not to be given awayNot to be given away - 028Original photograph, 8 x 14 cm.

Not to be given away

BobBob - 15Original photograph, 10.5x8.5 cm. Dinah’s graveDinah’s grave note the flowers 3-Original photograph, 6.5x9.5 cm. Hills covered with pine treesHills covered with pine treesOriginal photograph, 5x7 cm. MotherMother – Taken at Jones Beach June 17 – 1956. I fell down + [?] Age 20 mo – 12 days[?] Just as I was[?] Janie J. Fort: Les spectres célestes, 2012. Mathieu HAREL VIVIER - Pratique artistique : Photos. Smoked picture : Works : Esthétique du livre d'artiste: Anne Moeglin-Delcroix: Books.