Résultats Google Recherche d'images correspondant à - (Navigation privée) Johanna demaine » Exploring the Sublime. All our Actions are building our Ship for sailing the Universe on our constant Trip through the Wormholes of Space and Time that separate Life from all that is Sublime. Copyright Ted DeMaine: Passport of Love, Album “The Shark & the Crow” 2006 This body of work further examines my life’s journey through the “Exploration of the Sublime”, and I reference the above lyrics. The word Sublime conjures up many responses, with the Beauty/Sublime dichotomy being the most prevalent. In my work I explore the notion that the sublime is an extension of beauty.
In this journey my inspirations come not only from my responses to my husband’s poems/lyrics but also the superb Chinese ceramics and paper cuts that I encountered during my Chinese journey in 2008. Johanna DeMaine 2009. Librairie La Carotte – Blog – Librairie d'art à Liège. Livres de graphisme, design, photo, architecture, illustration, pub, etc. » De bien jolies tasses ! Décidément, l'actualité du finlandais Tommi Musturi est chaud-bouillante. Après l'excellent Quart livre de M. Espoir et Beating (également dans nos nouveautés), l'éditeur belge la 5ème couche réédite le tout aussi bon "Sur les pas de Samuel" (2010) accompagné d'une magnifique jaquette-poster pour l'occasion.
Tel Samuel, son personnage homuncule cyclopéen, Tommi Musturi possède un œil unique et prométhéen, et rien de ce qu'il nous montre n'est anodin. "Sur les pas de Samuel " est un livre étrange et beau, qui nous invite, en compagnie d'un curieux ectoplasme blanc, à traverser les strates du temps, de la matière et de la vie. Évoquer un univers parallèle semble de circonstance, tant les expériences graphiques et subliminales de Samuel proposent une perspective aberrante, abyssale, fascinante sur notre monde. Cette cosmogonie plastique se trace dans le sillon d'un fantôme de matière (Samuel), d'un imperturbable voyageur qui voit tout, qui entend tout, qui vit plusieurs vies. Cosmicomics. Ceramics. Francais) - Detail. MOLD1.jpg (Image JPEG, 700x233 pixels)
JBrooks_TMP_Project4.jpg (Image JPEG, 1024x768 pixels) JBrooks_TMP_Project1.jpg (Image JPEG, 1024x768 pixels) JBrooks_TMP_Project2.jpg (Image JPEG, 1024x768 pixels) JBrooks_TMP_Project3.jpg (Image JPEG, 1024x768 pixels) (Slip) Cast Party: Creating Unique Double-Walled Forms Using Mold Making and Slip Casting Techniques. Pinto Cups by Jo Nakamura. From design collective bril, ceramic cups with a colourful swirl pattern created by using the slip-casting method and mixing different coloured slip. (Click the images below for full sized images) Says Nakamura, "By using slip-casting method with mixing different colored slip, its fluid pattern appears on the surface. " "It is a new way to apply the accidental nature to designing. " Nakamura's Pinto cups were shown along with Fumiaki Goto's Drawing Vessels at the Ambiente international trade fair earlier this month as part of Ceramic Lab, an exhibition by new design collective "bril".
Layers of Color: Using Different Colors of Casting Slip, Resist Patterns and Decals to Create Graphical Pottery Surfaces. Andrew Gilliatt’s work combines colored porcelain slip, brightly colored glazes, resist patterns, and simple decals to create pots that convey the fun he has working in the studio. (click image to enlarge!) I was so blown away by the work of cover artist Andrew Gilliatt on the upcoming January/February 2011 issue of Pottery Making Illustrated that I just had to share the article as a sneak peek in the blog today. With an undergraduate degree in graphic design, Andrew adorns his slipcast pottery with well-placed, layered, often humorous imagery that is just fantastic in my humble opinion.
And the process that he uses to achieve his layered look is pretty interesting as well. Today, Andrew explains how he arrives at his surfaces by adding color in stages with colored casting slip, glaze, and decals. Plus, he shares his casting slip and a couple of glaze recipes! See Andrew in action with his video Layers of Color This article was excerpted from Pottery Making Illustrated. Making the Mold. Design China - Spin Ceramics - (Navigation privée) Spin Ceramics is a Shanghai and Beijing-based brand and store conceived by Jeremy Kuo. Each of the porcelain products on sale are produced in Jingdezhen by design team Lansheng Li, May Zhao, Tong Wei, Cheehao Yan, An Na and Kai Li. We briefly spoke with chief designer, Gary Wang, to find out more. Where were you born? I was born in Hong Kong, but I actually grew up in Taiwan. What did you study?
I studied Chinese Literature during college, and then went on to study interior design in New York. How was Spin Ceramics conceived? Where do you hope to be with the project in 3-5 years’ time? Find Spin Ceramics via TimeOut Beijing and TimeOut Shanghai. Résultats Google Recherche d'images correspondant à. Core77_ceramics_and_sound1.jpg (Image JPEG, 500x323 pixels) Ceramic. Ceramics. Résultats Google Recherche d'images correspondant à. Ceramic art. Keramik | Bowls. Striking simplicity, hidden stimuli and purposeful friendly variations keep the 100 flowers, the blossom bowls and the pair series extremely versatile.
Based entirely on personal preference and appetite - tea, soup, fruit, salad or dessert can be enjoyed from them. The distinctive East-West influences fit particularly well with Asian cuisine and fusion cooking. ひめの倶楽部美術館（２号館－茶道具－茶碗） Ceramic art. Pigeon Toe » Collections & Special Projects. Because your purchase should be an heirloom, not a hassle. Because objects are an essential part of your personal history. Because memories should be created, not collected. Because life is too short to be surrounded by anything less than beautiful. Because stories are handed down, not mass-produced. Because design should be timeless and craft should be authentic. Because your objects tell a narrative. Your narrative. Jump to collection: F/W 2013 | S/S 2013 | F/W 2012 | S/S 2012 | F/W 2011 | S/S 2011 | F/W 2010 | S/S 2010 | F/W 2009 | S/S 2009 | Custom Work | PTC+ Fall/Winter 2013 back to top Spring/Summer 2013 Fall/Winter 2012 back to top Lisa welcomed a new baby this season instead of designing a new collection.
Spring/Summer 2012 Fall/Winter 2011 Spring/Summer 2011 Fall/Winter 2010 Spring/Summer 2010 Fall/Winter 2009 Spring/Summer 2009 Custom Work Boora Architects / Google Headquarters Renovation Moule Luminology The Thing Quarterly – Issue 11 Clive Coffee Mugs Lovejoy Light Fixtures. Wiid design - Wiid leather and ceramic tableware - (Navigation privée) CERAMIC | aboda. Résultats Google Recherche d'images correspondant à - (Navigation privée)
Lorea Sinclaire - Industrial Design - Vancouver, Canada. Catherine Metas Esteban, céramiste. L’Atelier des Ateliers d’art de France est un espace de démonstrations et de rencontres avec les artisans d’art. Pour permettre au public de plonger au cœur de ces métiers, le lieu propose des démonstrations de savoir-faire, des conférences, des projections de film et … des expositions thématiques. Pour ce printemps, neuf jeunes créateurs de la Pépinière d’Ateliers d’Art de France ont été invités à exposer leurs œuvres autour du thème du Printemps, période de renouveau, de renaissance et de vitalité, avec l’expostion « Spring ! » qui aura lieu du 6 avril au 30 mai 2012. Ces neuf jeunes talents aux univers variés et créatifs transforment ainsi l’Atelier en jardin printanier, poétique et gai, parfois même insolite. Cette exposition est l’occasion pour ces jeunes entreprises, toutes ayant moins de cinq ans d’existence, de venir à la rencontre du public et de faire découvrir leur travail.
Pour en savoir plus sur les Ateliers d’Art de France, rendez-vous sur leur site. Exposition « Spring ! Johanna DeMaine: Creating Bright Textured Surfaces with Raised Enamels, Lusters and a Sandblaster. “Landscape of the Mind," 2006. Clear glaze, gas fired 2336°F (1280° C) in oxidation. Interior: gold luster, sandblasted, enamel. Exterior: mother-of-pearl, sandblasted, gilded, enamel, fired 1472°F (800° C). In the collection of the National Gallery of Australia. Australian potter Johanna DeMaine feels she came to clay by default. Early on, a teacher ridiculed her artwork, leaving her feeling she was not artistic. Currently DeMaine’s work is thrown using Southern Ice Porcelain, bisqued to 1868°F (1020°C) in an electric kiln, and glaze fired to 2336°F (1280°C) in a gas kiln, with clear or celadon glaze. The work these days follows three distinct paths.
In her second body of work, she fires on clear glaze, then luster. Her most recent pieces involve the vinyl cutter as well, but in these she sandblasts patterns into the bisque, covers that with a celadon to emphasize the texture, and embellishes areas with gold luster and enamel dots. 2 Gotas / 4 Gotas Bowls by Veronica Martinez. From @enessentia, bowls or centrepieces that can be used to serve food, or grow food. (Click the images below for full sized images) "2 Gotas stack on 4 gotas to create a small sculpture They can also be used as pots to grow herbs that are commonly used in cooking. " "The formal inspiration for its design is the summer rain, which leaves falling concentric hoops that are united with each other.
" More at EnEssentia. Photos: Jos Temprano. Reaction ceramics progress. Arts Céramiques quotidiennes - Couches de couleur: en utilisant différentes couleurs de coulage en barbotine, Resist Patterns et décalcomanies pour créer des surfaces Poterie graphiques. Gilliatt_opener.jpg (Image JPEG, 500x275 pixels) Mozilla Firefox - (Navigation privée) The Ceramics & Glass programme is a world leader in research and practice.
However we do not see ceramics and glass merely as a fixed set of media. We prize and celebrate diversity and breadth. We embrace connections. Our programme is a site for discursive practice, where cultural, social, personal, Read More... Our programme is a site for discursive practice, where cultural, social, personal, historical and aesthetic concerns intersect. We believe that the skills of making and thinking can develop in tandem, and that the made object is a vehicle for expression that can engage with the individual and society. Our students’ work covers a wide spectrum – from design for manufacture to the unique art object.
Students learn through a mixture of workshops, lectures, tutorials and, most importantly, through their own practice. The RCA prospectus and application form can be found at www.rca.ac.uk Read Less...