Résultats Google Recherche d'images correspondant à - (Navigation privée) Johanna demaine » Exploring the Sublime. All our Actions are building our Ship for sailing the Universe on our constant Trip through the Wormholes of Space and Time that separate Life from all that is Sublime.
Copyright Ted DeMaine: Passport of Love, Album “The Shark & the Crow” 2006 This body of work further examines my life’s journey through the “Exploration of the Sublime”, and I reference the above lyrics. The word Sublime conjures up many responses, with the Beauty/Sublime dichotomy being the most prevalent. In my work I explore the notion that the sublime is an extension of beauty. In this journey my inspirations come not only from my responses to my husband’s poems/lyrics but also the superb Chinese ceramics and paper cuts that I encountered during my Chinese journey in 2008. Librairie La Carotte – Blog – Librairie d'art à Liège. Livres de graphisme, design, photo, architecture, illustration, pub, etc. » De bien jolies tasses ! Décidément, l'actualité du finlandais Tommi Musturi est chaud-bouillante.
Après l'excellent Quart livre de M. Espoir et Beating (également dans nos nouveautés), l'éditeur belge la 5ème couche réédite le tout aussi bon "Sur les pas de Samuel" (2010) accompagné d'une magnifique jaquette-poster pour l'occasion. Tel Samuel, son personnage homuncule cyclopéen, Tommi Musturi possède un œil unique et prométhéen, et rien de ce qu'il nous montre n'est anodin. Ceramics. Francais) - Detail. MOLD1.jpg (Image JPEG, 700x233 pixels) JBrooks_TMP_Project4.jpg (Image JPEG, 1024x768 pixels) JBrooks_TMP_Project1.jpg (Image JPEG, 1024x768 pixels) JBrooks_TMP_Project2.jpg (Image JPEG, 1024x768 pixels) JBrooks_TMP_Project3.jpg (Image JPEG, 1024x768 pixels) (Slip) Cast Party: Creating Unique Double-Walled Forms Using Mold Making and Slip Casting Techniques.
Pinto Cups by Jo Nakamura. From design collective bril, ceramic cups with a colourful swirl pattern created by using the slip-casting method and mixing different coloured slip.
Layers of Color: Using Different Colors of Casting Slip, Resist Patterns and Decals to Create Graphical Pottery Surfaces. Andrew Gilliatt’s work combines colored porcelain slip, brightly colored glazes, resist patterns, and simple decals to create pots that convey the fun he has working in the studio.
(click image to enlarge!) I was so blown away by the work of cover artist Andrew Gilliatt on the upcoming January/February 2011 issue of Pottery Making Illustrated that I just had to share the article as a sneak peek in the blog today. With an undergraduate degree in graphic design, Andrew adorns his slipcast pottery with well-placed, layered, often humorous imagery that is just fantastic in my humble opinion. And the process that he uses to achieve his layered look is pretty interesting as well. Design China - Spin Ceramics - (Navigation privée) Spin Ceramics is a Shanghai and Beijing-based brand and store conceived by Jeremy Kuo.
Each of the porcelain products on sale are produced in Jingdezhen by design team Lansheng Li, May Zhao, Tong Wei, Cheehao Yan, An Na and Kai Li. We briefly spoke with chief designer, Gary Wang, to find out more. Where were you born? I was born in Hong Kong, but I actually grew up in Taiwan. What did you study? How was Spin Ceramics conceived? Where do you hope to be with the project in 3-5 years’ time? Find Spin Ceramics via TimeOut Beijing and TimeOut Shanghai. Résultats Google Recherche d'images correspondant à. Core77_ceramics_and_sound1.jpg (Image JPEG, 500x323 pixels) Ceramic. Ceramics. Résultats Google Recherche d'images correspondant à. Ceramic art. Keramik. Striking simplicity, hidden stimuli and purposeful friendly variations keep the 100 flowers, the blossom bowls and the pair series extremely versatile.
Based entirely on personal preference and appetite - tea, soup, fruit, salad or dessert can be enjoyed from them. The distinctive East-West influences fit particularly well with Asian cuisine and fusion cooking. ひめの倶楽部美術館（２号館－茶道具－茶碗） Ceramic art. Pigeon Toe » Collections & Special Projects. Because your purchase should be an heirloom, not a hassle.
Because objects are an essential part of your personal history. Because memories should be created, not collected. Because life is too short to be surrounded by anything less than beautiful. Because stories are handed down, not mass-produced. Because design should be timeless and craft should be authentic. Jump to collection: Wiid design - Wiid leather and ceramic tableware - (Navigation privée) CERAMIC. Résultats Google Recherche d'images correspondant à - (Navigation privée)
Lorea Sinclaire - Industrial Design - Vancouver, Canada. Catherine Metas Esteban, céramiste. L’Atelier des Ateliers d’art de France est un espace de démonstrations et de rencontres avec les artisans d’art.
Johanna DeMaine: Creating Bright Textured Surfaces with Raised Enamels, Lusters and a Sandblaster. “Landscape of the Mind," 2006.
Clear glaze, gas fired 2336°F (1280° C) in oxidation. Interior: gold luster, sandblasted, enamel. Exterior: mother-of-pearl, sandblasted, gilded, enamel, fired 1472°F (800° C). In the collection of the National Gallery of Australia. Australian potter Johanna DeMaine feels she came to clay by default. 2 Gotas / 4 Gotas Bowls by Veronica Martinez. From @enessentia, bowls or centrepieces that can be used to serve food, or grow food.
(Click the images below for full sized images) "2 Gotas stack on 4 gotas to create a small sculpture They can also be used as pots to grow herbs that are commonly used in cooking. " "The formal inspiration for its design is the summer rain, which leaves falling concentric hoops that are united with each other. " More at EnEssentia. Reaction ceramics progress. Arts Céramiques quotidiennes - Couches de couleur: en utilisant différentes couleurs de coulage en barbotine, Resist Patterns et décalcomanies pour créer des surfaces Poterie graphiques. Gilliatt_opener.jpg (Image JPEG, 500x275 pixels) Mozilla Firefox - (Navigation privée) The Ceramics & Glass programme is a world leader in research and practice. However we do not see ceramics and glass merely as a fixed set of media.
We prize and celebrate diversity and breadth. We embrace connections.