Schindler's List - Theme Itzhak Perlman. Era - Kilimandjaro. Woodkid - Iron. Allegri - Miserere mei, Deus (Full version) Jonathan Rhys Meyers - This Time (August Rush) + lyrics. Otis Taylor - Nasty Letter [Public Enemies OST] Jonathan Rhys Meyers-August Rush Something Inside (+lyrics) 沙寶亮 - 飄（溥儀和他的五個女人主題曲）
一生所愛-盧冠廷. 【步步惊心】四大皆通[Startling by Each Step][Fanmade MV][Princes] MAX BRUCH - Violin Concerto No, 1 in G Minor. Op. 26. - SHLOMO MINTZ/Claudio Abbado/Chicago Symphony. Faust Symphony. Structure[edit] Faust[edit] This large-scale movement (usually lasting around 25 minutes) is a very loose sonata-form with a short central development and a protracted recapitulation. One might say that this movement represents the very synthesis of the whole symphony, since many of its themes and motives appear throughout the score in various guises, a process of thematic transformation which Liszt mastered to the highest level during his Weimar years. The basic key of the symphony (C minor) is already rather blurred by the opening theme made up of augmented triads and containing all twelve notes of the chromatic scale.
This theme evokes the gloomy Faust, a dreamer, in everlasting search for truth and knowledge. Next follows the so-called 'Nostalgia' theme introduced by the oboe. Gretchen[edit] Mephistopheles[edit] The tenor soloist then rises above the murmur of the chorus and starts to sing the last two lines of the text, emphasizing the power of salvation through the Eternal Feminine. Dante Symphony. Some critics have argued that the Dante Symphony is not so much a symphony in the classical sense as it is two descriptive symphonic poems.[1] Regardless, Dante consists of two movements, both in a loosely structured ternary form with little use of thematic transformation.[2] Composition[edit] Liszt had been sketching themes for the work since the early 1840s,[3] and in 1847 he played some fragments on the piano for his Polish mistress Princess Carolyne zu Sayn-Wittgenstein. At this early stage in the composition it was Liszt's intention that performances of the work be accompanied by a slideshow depicting scenes from the Divine Comedy by the artist Bonaventura Genelli.[4] He also planned to use an experimental wind machine to recreate the winds of Hell at the end of the first movement.
Although Princess Carolyne was willing to defray the costs, nothing came of these ambitious plans and the symphony was set aside until 1855.[5] The Dresden Hoftheater (later rebuilt as the Semperoper) Lang Lang - Rachmaninov Piano Concerto No. 2, Part 01. Peter Sidhom: "Estuans Interius" from Carl Orff's "Carmina Burana"
Liszt: Faust-Simphonie - 1. Faust (1/4) Liszt - Dante Symphony - 1. Inferno (1/3)