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Movies, Directors, Actors I love

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1900 (film) Not to be confused with the 1998 film, The Legend of 1900 1900 (Italian: Novecento, "Twentieth Century") is a 1976 Italian epic film directed by Bernardo Bertolucci, starring Robert De Niro, Gérard Depardieu, Dominique Sanda, Donald Sutherland, Alida Valli, and Burt Lancaster. Set in Bertolucci's ancestral region of Emilia, the film chronicles the lives of two men during the political turmoils that took place in Italy in the first half of the 20th century. The film was screened at the 1976 Cannes Film Festival, but was not entered into the main competition.[2] Born the same day in 27 January 1901, Alfredo Berlinghieri and Olmo Dalcò come from opposite ends of the social spectrum. Alfredo is from a family of landowners led by his abusive but populist grandfather (also called Alfredo), while Olmo is an illegitimate peasant.

Olmo's grandfather, Leo, is the foreman and peasants' strong man who verbally and spiritually carries out a duel of wits with grandfather Alfredo. Bibliography. Stanley Kubrick. Stanley Kubrick (/ˈkuːbrɪk/; July 26, 1928 – March 7, 1999) was an American film director, screenwriter, producer, cinematographer and editor who did much of his work in the United Kingdom. Part of the New Hollywood film-making wave, he is regarded as one of the greatest and most influential directors of all time. His films, typically adaptations of novels or short stories, are noted for their "dazzling" and unique cinematography, attention to detail in the service of realism, and the evocative use of music.

Kubrick's films covered a variety of genres, including war, crime, literary adaptations, romantic and black comedies, horror, epic, and science fiction. Kubrick was also noted for being a demanding perfectionist, using painstaking care with scene staging, camera-work and coordinating extremely closely both with his actors and his behind-scenes collaborators. Early life[edit] Kubrick as an infant with his father, Jack Photographic career[edit] Film career[edit] Short films[edit] R. A.I. The Shining (film) In the film, Jack Torrance, a writer and recovering alcoholic, takes a job as an off-season caretaker at an isolated hotel called the Overlook Hotel. His young son possesses psychic abilities and is able to see things from the past and future, such as the ghosts who inhabit the hotel.

Soon after settling in, the family is trapped in the hotel by a snowstorm, and Jack gradually becomes influenced by a supernatural presence; he descends into madness and attempts to murder his wife and son. Unlike previous Kubrick films, which developed an audience gradually by building on word-of-mouth, The Shining was released as a mass-market film, opening at first in just two cities on Memorial Day, then nationwide a month later.[5] Although initial response to the film was mixed, later critical assessment was more favorable and it is now listed among the greatest horror movies, while some have even viewed it as one of the greatest films of all time. Original typewriter and page from the film. Barefoot in the Park. Barefoot in the Park is a romantic comedy by Neil Simon. The play premiered on Broadway in 1963 and starred Robert Redford and Elizabeth Ashley.

The play was made into a film in 1967, also starring Redford, and Jane Fonda. Productions[edit] The play opened on Broadway at the Biltmore Theatre on October 23, 1963 and closed on June 25, 1967 after 1,530 performances. This was Neil Simon's longest-running hit, and the tenth longest-running non-musical play in Broadway history. Directed by Mike Nichols the cast starred Elizabeth Ashley (Corie), Robert Redford (Paul), Mildred Natwick (Mrs. Myrna Loy starred in the national tour during the time the play was still on Broadway. Plot[edit] Corie Bratter and Paul Bratter are newly wed. Characters[edit] Corie BratterPaul BratterMrs. Adaptations[edit] References[edit] Jump up ^ Brantley, Ben.

External links[edit] Barefoot in the Park at the Internet Broadway Database. Life of Pi. Plot[edit] The author's note is an integral part of the novel. Unusually, the note describes entirely fictional events. It serves to establish and enforce one of the novel's main themes: the relativity of truth. Life of Pi is divided into three sections. In the first section the main character Pi Patel, an adult Canadian, reminisces about his childhood in India. Pi is raised a Hindu who practices vegetarianism. Frightened, Pi constructs a small raft out of rescue flotation devices, tethers it to the stern of the boat and retreats to it. Pi recounts various events while adrift in the Pacific Ocean. The third part of the novel describes a conversation between Pi and two officials from the Japanese Ministry of Transport who are conducting an inquiry into the shipwreck.

The officials note parallels between the two stories and conclude that the hyena symbolizes the cook, the zebra the sailor, the orangutan Pi's mother, and the tiger Pi. Major themes[edit] Life is a story[edit] Inspiration[edit]