Twitter. Twitter. Twitter. Twitter. Twitter. Twitter. Twitter. Twitter. Twitter. Twitter. Twitter. Twitter. Twitter. Twitter. The Vibrant Watercolors of Emil Nolde. Roy Lichenstein, Brushstroke, screenprint, 1965, National Gallery of Art, Washington, D.C.
It's been awhile. I've missed you and I'm glad to be back. Life got pretty busy and sadly this space got neglected. As far as teaching goes I've been exploring line. Seaside sunset, gouache on stretched paper. #painting #gouache #originalart #sunset #landscapepainting #beach… … I listened, motionless and still And, as I mounted up the hill, The music in my heart I bore, Long after it was heard no more. ~William Wordsworth □Eyvind Earle (1916-2000)… Neubrandenburg, 1817 #friedrich #caspardavidfriedrich… Anne Louise Avery sur Twitter : "Pine Marten was lying miserably in bed watching the sparrows nesting in the thatch. At midday, he heard the garden gate open & clatter shut & voices on the path. One belonged to Old Fox & the other, so familiar, so beloved. Book Review: Brian Cook's Landscapes of Britain. Cook and the marvels of Berte A timely publication of Brian Cook's wonderful, exuberant dust-jackets for Batsford's British town and countryside books from the Thirties and Forties.
The only other book about his work was published by Batsford in 1987 (The Britain of Brian Cook) and I thought it had a serious editorial flaw in showing so much of his work in mono. The 108 illustrations in the book only had forty-eight in colour, though, admittedly, several of the black and whites were of Cook's lovely pen and ink illustrations. The book is well out of print and expensive but this latest book is so much better because it is all in color. One feature in the 1987 book really should have been used in this new title: an explanation of the Jean Berte printing process. I walked into an Eric Ravilious painting on this morning’s dawn wander □… Blog - Painting Class with David Dunlop. A gorgeous "Sunset. "I remember those afternoons when we'd dance among the flowers. The sun sat high up in the sky, tanning our skin for hours. We grew up sweet and slow in the Texas bluebonnets...
Anne Louise Avery sur Twitter : "Mouse was exhausted. She had travelled to Fontainebleau & back to bring her elderly maman to stay until things had blown over. Nevertheless, they had to eat, so, as the light faded over the fields, she made Pommes Anna & a. MaryAnne AytounEllis sur Twitter : "'Where kites fly' Mary Anne Aytoun Ellis pen and ink, watercolour, egg tempera, gesso Completed painting for my forthcoming show at Portland Gallery, worked on over two years up on the Downs and in my studio 27 inches x.