TOP 10 BLUES SONGS. Cajun music. Cajun music, an emblematic music of Louisiana, is rooted in the ballads of the French-speaking Acadians of Canada. Cajun music is often mentioned in tandem with the Creole-based, Creole-influenced zydeco form, both of Acadiana origin. These French Louisiana sounds have influenced American popular music for many decades, especially country music, and have influenced pop culture through mass media, such as television commercials.
Aural analysis[edit] Cajun music is relatively harsh with an infectious beat and a lot of forward drive, placing the accordion at the center. Besides the voices, only two melodic instruments are heard, the accordion and fiddle, but usually in the background can also be heard the high, clear tones of a metal triangle. The harmonies of Cajun music are simple, basically I, IV, and V, tonic, sub-dominant, and dominant with many tunes just using I and V. Subgenres of Cajun music[edit] Traditional Cajun (Before 1930)[edit] Country and Texas swing Cajun (1934–1941)[edit] Cajun Music: Alive and Well in Louisiana. By Ann Savoy One of French Louisiana's most vital attractions is its music. Acadian music has undergone vast changes since arriving in Louisiana, to a large extent because those who play it today live so differently from earlier residents.
Understanding Cajun music in all its variety is a large undertaking but an important one. Today, we in Louisiana are fortunate to have living representatives of many of its various styles and stages. A look at Cajun music and its development offers a glimpse into Louisiana's different cultures, its fascinating history, and the variety which exists within a traditional culture. The scheduled musical performances at the Louisiana Folklife Festival give the visitor the opportunity to trace the historical development of Cajun music styles. Excerpt, J'ai Ete Au Bal: Cajun and Zydeco Music of Louisiana.
One of the earliest forms of music in Louisiana was the unaccompanied ballad. In time, the settings in which much of the music was played changed, too. Audio & Video Clips on Louisiana Traditional Culture. The following is a list of audio and video clips featured on the Folklife in Louisiana website. 'Tit galop pour Mamou performed by Steve Riley and the Mamou Playboys Written by Dewey Balfa. Flat Town Music, BMI. From the album 'Tit galop pour Mamou. ® and © 1992 by Rounder Records, # CD6048. Used by Permission. Cajun Music South Louisiana Length of performance: 3:29 From the essay, The Treasured Traditions of Louisiana Music Zydeco sont pas salé performed by Clifton Chenier Written by Clifton Chenier. Zydeco South Louisiana Length of performance: 3:12 From the essay, The Treasured Traditions of Louisiana Music Eh là bas performed by Billie and DeDe Pierce Traditional/public domain.
Jazz New Orleans Length of performance: 3:12 From the essay, The Treasured Traditions of Louisiana Music Let's Go Get' Em performed by Bo Dollis, Monk Boudreaux and the ReBirth Brass Band Written by Miller-Dollis-Boudreaux. Lake Charles performed by Lucinda Williams Written by Lucinda Williams. Written by Bill Conly. Traditional Cajun Music - Hippy to-yo. Tejano Music Artists | List of Best Tex-Mex Bands/Groups. Tejano music (Tex-Mex) Music genre fusing Mexican and European influences Tejano music (Spanish: música tejana), also known as Tex-Mex music, is a popular music style fusing Mexican and US influences.[1] Typically, Tejano combines Mexican Spanish vocal styles with dance rhythms from Czech and German genres -particularly polka or waltz.[2][3] Tejano music is traditionally played by small groups featuring accordion and guitar or bajo sexto. Its evolution began in northern Mexico (a variation known as norteño).[4][5] Origins[edit] Europeans from Germany (first during the Spanish regime in the 1830s), Poland, and what is now the Czech Republic migrated to Texas and Mexico, bringing with them their style of music and dance.
They brought with them the accordion, polkas music and dance. At the turn of the century, Tejanos were mostly involved in ranching and agriculture. With the keyboard, drums and bajo sexto, Tejanos now had a sound they could begin to call their own. History[edit] In 1987, Gloria Anzaldúa wrote: Tex-Mex Songs | Stream Online for Free. All Tex-Mex Radio Tex-Mex RadioAn invigorating musical mix of country, rock and Latin flavors. Share Tex-Mex Artists Chat About Tex-Mex Feedback. Top 10 Salsa Songs of all Time | Salsa Ulysses. Too many people smoking some funny things in this page. You should know from the get-go that this topic is always going to be subjective.
I personally think you need to break it down a number of ways. 1. Is it for dancing or for listening, or both? 2. Do you like “old” (like the classics) or “new” salsa? 3. Do you look at the various styles (from the range of salsa-producing countries) differently? Me personally – 1. 2. 3. Anyway, that’s my rant. Plus some stand out tracks – Divino – Pobre Corazon La Salsa Vive – Tito Nieves, Gilberto Santa Rosa, Cheo Feliciano, Ismael Miranda, Celia Cruz Ni Calor Ni Frio – Oscar De Leon Baila Que Baila – Jose Alberto El Canario Llego El Sabor – Jose Alberto and Oscar De Leon.
Salsa Music. Introduction The most widely heard and influential form of music from Puerto Rico today is called salsa. The term translates to English as "sauce" to denote music that spices and enlivens things. But not just any music. It is a complex musical genre that evolved from many roots into a uniquely Puerto Rican product. It could be said that "salsa" is primarily a commercial tag for contemporary Latin pop music that connotes a feeling that sums up the variety of redefined and reinterpreted styles at its roots.
It encompasses a broad range of musical genres, instrumental combinations and cultural influences, ranging from Cuban son montuno, Puerto Rican bomba and plena, Dominican merengue, Cuban Yoruba ritual music and Afro-American jazz and rhythm and blues. At some time during the end of the 60's, Afro-Caribbean music had developed into was being called salsa. Neither has there been agreement precisely on how the term was invented, or by who. The basic rhythm of the salsa is the clave. 181.FM - Salsa ~ Free Internet Radio | Your Lifestyle, Your Music! 100 Greatest Reggae Songs. Criteria: This top 200 songs list contains the classic Ska, Rocksteady, Reggae, Dancehall and Dub songs from Jamaica along with newer songs from Reggae artists in the U.K., U.S. and Africa. Rankings are based on initial and lasting popularity as well as influence and impact in Reggae music.
(Note: These are Reggae songs by Reggae artists. Not the occasional reggae song recorded by non-reggae artists.) Background: Reggae - Around 1960, in the slums of Kingston Jamaica, where the local bands were playing a musical mixture of American R&B, Caribbean, and pan-African sounds, drummers began to emphasize the afterbeat, the 2nd and 4th beats (4/4 time) in unison with the piano and guitar while the bass played walking quarter notes. The musicians called the sound "Upside-down R&B". It soon became known as "Ska". Reggae Music. Edward Havel Rhetoric of Reggae Research Paper Professor Alfred Snider (Tuna) Drums and Bass Guitar: The Foundation of Reggae Music Reggae is a style of music that needs a strong backbone and a strong driving force.
That is, the drums are the backbone and the bass guitar is the driving force. The drums are one of the most important instruments in reggae music. The reggae drum set is essentially a compacted form of all African drum and percussion elements. . ( This is Bob Marley and the Wailers playing a show. “Percussionist, Uziah "Sticky" Thompson keeps Ziggy's rhythm light and danceable” ( This is an example of what a percussion player’s set up may look like. Reggae drums have fairly flexible guidelines. Another style of drumming is called Rockers invented by drum and bass duo, Sly and Robbie. In these “empty spaces” between the beats, there is lots of syncopation.
Reggae Radio. Native American music. Native American music. The music of Native North Americans is primarily a vocal art, usually choral, although some nations favor solo singing. Native American music is entirely melodic; there is no harmony or polyphony, although there is occasional antiphonal singing between soloist and chorus. The melody is, in general, characterized by a descending melodic figure; its rhythm is irregular. There is no conception of absolute pitch and intonation can appear uncertain, the result of the distinctive method of voice production, involving muscular tension in the vocal apparatus and making possible frequent strong accents and glissandos.
Singing is nearly always accompanied, at least by drums. Various types of drums and rattles are the chief percussion instruments. See also North American Native art; Native American languages. See F. The Columbia Electronic Encyclopedia, 6th ed. See more Encyclopedia articles on: Music: History. Native American Songs: Music Lyrics & Sound Clips. Nakai: Earth Spirit - Native American Music.