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By logging in, you agree to the terms and conditions outlined in the end-user license agreement. Online security information Your session is secure During the account opening process, the information you provide to us is encrypted using Secure Socket Layer (SSL) technology. How can I tell if a webpage is secure? You can tell if you are visiting a secure area within a website by looking for the padlock symbol on the status bar at the bottom of your browser screen, or in the URL address at the top of the screen.

What can I do to protect myself? You should only use browsers that use strong encryption and security features such as Windows Internet Explorer. Don't go! If you leave now, you’ll have to start from scratch next time. Swamp pop. Swamp pop is a musical genre indigenous to the Acadiana region of south Louisiana and an adjoining section of southeast Texas.

Swamp pop

Created in the 1950s and early 1960s by teenaged Cajuns and black Creoles, it combines New Orleans-style rhythm and blues, country and western, and traditional French Louisiana musical influences. Although a fairly obscure genre, swamp pop maintains a large audience in its south Louisiana and southeast Texas homeland, and it has acquired a small but passionate cult following in the United Kingdom, northern Europe, and Japan.[1] The sound[edit] Swamp pop musician Jivin' Gene, c. 1959.

The swamp pop sound is typified by highly emotional, lovelorn lyrics, tripleting honky-tonk pianos, undulating bass lines, bellowing horn sections and a strong rhythm and blues backbeat. In swamp pop’s south Louisiana-southeast Texas birthplace, fans regarded many songs that never became national hits as classics. Roots and early history[edit] Swamp pop duo Dale & Grace, c. 1963. Zydeco. Zydeco is a musical genre evolved in southwest Louisiana by French Creole speakers[1] which blends Cajun music, blues and rhythm and blues.

Zydeco

Origin of term[edit] Though disputed, it is commonly suggested that "zydeco" derives from the French phrase Les haricots ne sont pas salés, which, when spoken in the Louisiana Creole French, sounds as "leh-zy-dee-co nay sohn pah salay". This literally translates as "the snap beans aren't salty" but idiomatically as "I have no spicy news for you. " Alternatively the term has been given the meaning "I'm so poor, I can't afford any salt meat for the beans. " The earliest recorded use of the term may have been the country and western musical group called Zydeco Skillet Lickers who recorded the song It Ain't Gonna Rain No Mo in 1929.[2] Initially, several different spellings of the word existed, including "zarico" and "zodico".

Another possible root word for zydeco is as a West African term for Musicking. Musical style[edit] Early history[edit] Aloha Ukulele. 8 Year Old Jonny Mizzone - Flint Hill Special - Sleepy Man Banjo Boys. The Black Keys. The Flaming Lips. The band is best known for its associations with 1960s and 1970s psychedelic subculture, with elements of this culture permeating the group's instrumentation, effects, and composition.

The Flaming Lips

Coyne's lyrics, in particular, both reference and embody the fascination with the science fiction and space opera genres of fiction that were popular during the golden age of psychedelic subculture.[1] His lyrical style tends to use the imagery and plot conventions of space opera to frame more abstract themes about the unfolding cycles of romantic love, highlighting its vulnerability while delving into its metaphysical implications.[1] The group recorded several albums and EPs on an indie label, Restless, in the 1980s and early 1990s. After signing to Warner Brothers, they scored a hit in 1993 with "She Don't Use Jelly". History[edit] Early history and releases (Debut EP to In a Priest Driven Ambulance)[edit] In 1990 the band caught the attention of Warner Bros. [edit] The Chieftains & the Leahys. Fitz and The Tantrums. DAVE MATTHEWS BAND. DAVE MATTHEWS BAND.