Généralités - Espérer isshoni. Hiroshige. Hiroshige is usually connected with landscape and nature prints. Together with Hokusai he is considered as the dominant figure of printmaking in the first half of the nineteenth century. First Publication: May 2001 Latest Update: July 2013 The Son of a Fire Warden Ando Hiroshige was born under the name of Ando Tokutaro. He was born in Edo (Tokyo) as the son of a samurai and fireman. Early Years The first work by Utagawa Hiroshige was a book illustration published in 1818, when he was 21 years old.
Fifty-three Stages of the Tokaido From 1830 on, Hiroshige Utagawa tried his luck with a new genre - landscape prints. The Tokaido was a coastal highway connecting Edo with Kyoto, the residence of the emperor. The Fifty-three Stations of the Tokaido became the basis of Hiroshige's fame and commercial success. More Tokaido Series Print publishing in the Edo period was not different. At the end of his life, Hiroshige had produced 16 to 19 editions of the Tokaido. More Masterpieces by Hiroshige. The_great_wave_off_kanagawa.jpg (Image JPEG, 4335x2990 pixels) - Redimensionnée (25%) From Series “Twenty-eight famous murders with verse” | Japanese Prints. Sharaku: l’énigme | Estampes japonaises. Note: ce billet fait partie d’une série sur les maîtres de l’estampe japonaise, retrouvez tous les portraits dans la liste ci-dessous 1. Kunisada: le travailleur acharné 2.
Utamaro, passionné de beauté 3. Hiroshige: graveur en série 4. Yoshitoshi: le fou lumineux 5. Hokusai: le vieux fou de dessin 6. Sharaku: l’énigme Sharaku Toshusai (dates de naissance et de mort inconnues) Sharaku est un cas à part dans le club restreint des maîtres de l’ukiyo-e. Une carrière si courte qu’elle soulève toutes sortes de spéculations quand à la réelle identité de l’artiste. La première veut que Sharaku ne soit autre qu’Hokusai. La seconde théorie prétend que Sharaku n’était pas une personne, mais un projet lancé par un groupe d’artistes pour aider une maison d’édition d’estampes. Ses estampes ne devinrent populaires auprès des collectionneurs japonais qu’à partir de l’instant où leur collègues occidentaux s’intéressèrent à cet artiste, vers la fin du 19ème siècle.
Online Collection. Detail, The Late Shah Jahan Album: Humayun Seated in a Landscape. More about this object. The Freer Gallery of Art and the Arthur M. Sackler Gallery contain some of the most important holdings of Asian art in the world. In addition, the Freer Gallery boasts exemplary examples of late-nineteenth-century works of American landscape and portraiture by James McNeill Whistler and his contemporaries. The Sackler Gallery is host to contemporary art from Asia as well as international loan exhibitions. If you are visiting our galleries to see a specific work of art, please be aware that it may not always be on view. Provenance Research This project aims to identify and clarify questions of ownership history for the Galleries' Asian artworks that were created before 1946 and acquired after 1932; underwent a change of ownership between 1933 and 1945; and were, or might have been, in continental Europe during that twelve-year period.
Ceramics in Mainland Southeast Asia Recent Acquisitions. Articles on Art. Results 1-10 out of 580 hits 1 2 3 4 5 6 7 8 9 10 ... 58 next >> Become a Regular Client of artelino Auctions You are visiting what is to my knowledge the largest website for contents around Japanese prints. More than 50,000 persons visit us every month. That's nice. But qualified contents needs your regular purchases in our auctions. If you appreciate our free services, please bid and buy in our auctions of Japanese prints. - Dieter Wanczura. Artmedia Paris - Galerie d’estampes.
OTHER ITEMS. To view larger version and detailed information, click on the item. Kataguchi-bowl by Hamada When ordering please quote item number also. First-time customers, please pay on advance invoice. If not satisfied refundable within 5 days. Shipping costs are in addition to the prices listed. Imari Mizusashi large porcelain vase wood sculpture of Buddha gilded candle stand Painting by Kanazawa Shigeharu painting by S.
Noh mask Emperor & Emperess dolls Korean brush holder cloisonne enamel two-handled vase Okame mask Tengu mask Fukagawa vase Please click on "Refresh" or "Reload" to ensure that your viewing the newest version. Calligraphy scroll. Sinister Designs: Yoshitoshi Tsukioka. TSUKIOKA/TAISO YOSHITOSHI (Owariya Yonejiro): 1839 - 1892 Go directly to print list Tsukioka Yoshitoshi was the last and greatest genius of traditional ukiyo-é. Born in the last years of the Tokogawa Shogunate, he lived most of his adult life in the Meiji era of modernisation. Influenced by Western art, he strove against the loss of traditional Japanese values, devoting most of his work to reminding the Japanese who he felt they were, and should be.
His innovations in composition and line, his ability to capture a personality or a moment, are unique in ukiyo-é, and rare in the history of art. Yonejiro was the son of a rich merchant who had bought samurai status. Unwanted by his father's new mistress, he was given at age three to a sonless uncle, an apothecary, who raised him with love. In 1850, he apprenticed to the master printmaker, Utagawa Kuniyoshi, who named him Yoshitoshi.
Yoshitoshi had good reason to be depressed. By 1873, Yoshitoshi's depression was receding. Religion in Japan (sidepage), Fuchs Motive. 絵巻物データベース. Lune Rouge: YOSHITOSHI. Fuji Arts Japanese Prints - Japanese Woodblock Prints and Decorative Arts. Castle Fine Arts. Hiroshige - 100 Views of Edo. Mozilla Firefox. Drunken Tengu Dot Com. Yoshitoshi: le fou lumineux | Estampes japonaises. Note: ce billet fait partie d’une série sur les maîtres de l’estampe japonaise, retrouvez tous les portraits dans la liste ci-dessous 1. Kunisada: le travailleur acharné 2. Utamaro, passionné de beauté 3. Hiroshige: graveur en série 4. Yoshitoshi: le fou lumineux 5. Tsukioka Yoshitoshi (1839 – 1892) Yoshitoshi est l’un des artistes phares de l’ère Meiji, si ce n’est le plus important.
Il publie sa première estampe à l’âge de 14 ans. Par la suite, dès les années 1870, il connait des difficultés financières et crée des estampes pour des journaux et diverses commandes. Dès 1880, sa vie se stabilise. » qui est probablement sa série la plus connue. En fin de vie, Yoshitoshi est devenu un artiste très populaire et respecté.