Creative Industries. W dniach 28-31 stycznia na południu Francji w Cannes odbył się Midem, czyli najważniejsze wydarzenie branży muzycznej w tej części świata.
Nie było mnie tam na miejscu, chociaż początkowo planowałem się tam pojawić w jednej sprawie. Ale dzięki obecnym możliwościom technologicznym mogłem śledzić najważniejsze rzeczy, które miały miejsce w te styczniowe dni w Cannes. Po przebraniu sporej ilości materiału (kilkanaście godzin nagrań wideo) udało mi się zebrać 4 motywy, które moim zdaniem były najciekawsze z tego wydarzenia. Organizatorzy Midem już rok temu mocno zainwestowali w to, aby ich wydarzenie zaistniało na stałe w sieci.
Zaczęli inwestować w swój kanał wideo na YouTube i w żaden sposób nie zaniedbując go. IMC – India meets Classic. Forbes.com – Ideas & Opinions Lend Ho!
Quentin Hardy, 10.29.09, 08:40 AM EDT Forbes Magazine dated November 16, 2009 Brewster Kahle is a thorn in Google’s side. Brewster Kahle is a thorn in Google's side (c) Robert Houser The internet and Brewster Kahle have been good to each other. “We have to have universal access to everything, just like a library,” he says.
Single corporation? GL Connection. Gildas Lefeuvre est depuis une vingtaine d’années un observateur privilégié de la filière musicale, de son marché et de ses tendances, de ses enjeux et de ses mutations.
Journaliste spécialisé, il a collaboré à de nombreuses publications B to B, dont Show Magazine, le Bulletin des Rotations, Radio & Musique Info, Radio Activité (Québec), Ecran Total, Notes (le magazine de la Sacem), L’Année du Disque, Francophonie Diffusion, Visa Permanent et Midem News. Il a lancé le bulletin Obs Line et fut rédacteur en chef de La Lettre du Disque avant d'assurer la rédaction en chef et la direction de la rédaction de Musique Info de 2001 à 2006. Gildas Lefeuvre est par ailleurs auteur de l'ouvrage "Le producteur de disques" (Editions Dixit, 1994 et 1998). Fondateur de l'Observatoire du Disque et de l'Industrie Musicale en 1995, il a réalisé plusieurs études, notamment pour Zone Franche, l'European Music Office (Bruxelles) et le Sppam (Syndicat des producteurs de programmes audiovisuels musicaux).
Hypebot. Mi2n. Mobile Entertainment. Reveals 30 companies chosen to present their interesting ideas to a jury of digital experts.
MidemLab is the new media bit of the big music conference in Cannes, and returns for its second year between January 28th and January 31st 2012. This contest comprises three entry categories: music discovery, recommendation and creation; marketing and social engagement; direct-to-consumer sales and monetising content. Last year’s winners were Discovr, Next Big Sound and Shuffler.fm. The finalists have been chosen by UK digital consulting company Music Ally and French specialist open innovation consultancy, bluenove. They are: Marketing & Social Engagement Category Direct to Consumer Sales and Content Monetisation Category. La gazzetta di sondrio. Il MIDEM, mercato internazionale della musica, si svolge a Cannes e riunisce ogni anno tutti i professionisti del settore, dal produttore al musicista, insieme nella ricerca continua di nuovi modelli di business per la musica, e per conoscere e condividere informazioni ed ogni novità tecnologica ed applicazione innovativa, legata soprattutto al mercato digitale.
Il programma prevede spesso, incontri dedicati alla risoluzione del problema molto sentito dall'industria discografica, il download illegale. Nel corso del MIDEM 2011, il dj David Guetta ha raccontato come la "rete" gli sia stata congeniale, permettendogli un contatto diretto con i fan (15 milioni di "amici" nella sua pagina di facebook), e consentendogli di scalare le classifiche mondiali e vendere 3 milioni di album nel mondo.
Molti rappresentanti dell'industria auspicano il coinvolgimento dei fornitori di rete sul modello della legge Hadopi francese per controbattere il download illegale. WhoSampled (UK) - music discovery. Evolver.fm. (This is a guest post from James Martin of midemblog.
Evolver.fm is an official publication of Midem 2012 in Cannes, France, where Evolver.fm editor Eliot Van Buskirk will appear on panels and judge the following midemlab music apps. We figured we’d repost midemblog’s lists of the finalists in midemlab 2012, which includes videos and descriptions for each app, in the spirit of not reinventing the wheel.) BandApp BandApp is exactly that: a tool which enables bands to make their own mobile apps. Social sharing is especially pushed [for now, the apps are down]: ENCORE. Midem Announces midemlab Finalists Posted: December 14, 2011CANNES, France (CelebrityAccess MediaWire) -- midem has revealed the 30 finalists of midemlab, the international pitching competition for startups and app developers as well as the 10 finalists in the midem Marketing Campaign Competition.
The finalists will present their pitches at next year's Midem, which is set to take place from January 28-31 in Cannes, France. Previous editions have provided a launch pad for some of the leading technology innovators, such as SoundCloud, The Echo Nest, Songkick and Root Music. The list of finalists for 2012: Music Discovery, Recommandation & Creation ChartsNow.mobi (UK) – mass market mobile music service Marketing & Social engagement Direct to consumer sales and Content Monetisation -CelebrityAccess Staff Writers. My Music. The Echo Nest. Music 4.5. Music 4.5, TechPitch 4.5 and Music TechPitch 4.5 are series of events that bring together start-ups, serial entrepreneurs, investors, artists, band managers and key industry players to share knowledge, discuss strategies for business success, debate market trends and evolution, as well as network.
The series of events was started with a passion for helping start-ups and investors connect, while working and sharing more closely with artists. The 4.5 Blog is all about inspiring entrepreneurial ideas and insight, delivering return-on-investmtent – 4.5 times if possible, and innovation by disruptive technologies and businesses. The 4.5 in all the event names is derived from a Web 2.0 philosophy which says that, after the huge losses incurred on Web 1.0, the ambition for web enterprises is to make money and achieve a 4.5 times return on investment (ROI). In the music and technology business landscape this means a 4.5 times ROI for all parties: artists, entrepreneurs and investors.