STORYTELLING TECHNIQUES
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Workshop Art narratif, scénario, dramaturgie - à Montévidéo, Marseille - Par Ludovic Bablon
Pour les créatifs de Marseille et PACA qui auraient raté les sessions de mars 2012, et qui sont intéressés par de futures sessions, prière de signaler votre intérêt à LJHOM@YAHOO.FR pour être averti des prochaines dates en 2012. Le workshop a été développé pour la première fois pour se tenir à Montévideo (MERCI !) en 2008, en français, en 8 heures.
I will be on www.storyworldconference.com, next week in San Fransisco. I would like to have a dinner or Happy hour transmedia pitching with people envolved with transmedia (maybe monday, tuesday or wednesday?), interesting in networking.
StoryWorld Conference meeting dinner - San Fransisco 10/31 - 11/02 - Transmedia Paris, France (Paris) - Meetup
I believe we can all agree that the recent G.I. Joe movie even further differs from the original cartoons and comics in regards to story details.
Transmedia Experiences
Confessions of an Aca/Fan: Archives: If It Doesn't Spread, It's Dead (Part One): Media Viruses and Memes
February 11, 2009 Over the next eight posts, I am going to be serializing a white paper which was developed last year by the Convergence Culture Consortium on the topic of Spreadable media. This report was drafted by Henry Jenkins, Xiaochang Li , and Ana Domb Krauskopf With Joshua Green. Our research was funded by the members of the Convergence Culture Consortium, including GSDM Advertising, MTV Networks, and Turner Broadcasting.
“Develop and Pitch a transmedia project” An RFP is provided to help frame what is required of the pitches. And class is split into groups. Pitches will be made to a panel of industry experts. A look at the push and pull of story vs. game with a round table discussion with award winning game designers and storytellers. Guests include Gregory Trefry (Come Out & Play Festival) and Andrea Phillips (award winning transmedia storyteller)
building storyworlds, course syllabus
Dummies Guide to Writing a Transmedia Production Bible | PERSONALIZE MEDIA
OK not really a Dummies guide as there are some complex elements in here, but one has to use whatever memes are in vogue A few weeks ago I was commissioned by Screen Australia to write a very basic structure & guide for producers relatively new to multi platform content to structure & document their propositions, after they have developed the ‘audience centric’ concepts. This has just been published on the Screen Australia site as a digital resource for those needing to document projects for transmedia productions. Background? I had already been using a range of structures in my 17 years as cross media producer (BBC, MUVEDesign , GaryHayes.TV etc:) and lecturer (recently Multi Platform course lead at LAMP , Australian Film TV and Radio School , Metro Screen & many international workshops).
Robert Pratten on Transmedia Storytelling To fully realize the revenues of mobilized TV we need to create unique “story-experiences” that leverage the reach of TV and the personalization & interactivity of mobile. Rather than fight or deny the audience’s split attention between TV show and simultaneous use of a second-screen – be it phone, tablet, laptop or whatever is to come next – networks would do best to commission shows that tell stories across both screens. The key is to tell multi-platform stories: not repurposing B-roll content (that doesn’t create a compelling enough mobile value proposition) or churning out tedious encyclopedic character detail (let the fans create that) but by writing multi-layered stories with additional sub-plots and parallel plots intended specifically for mobile and to be enjoyed socially either at air time or later on demand.
Robert Pratten on Transmedia Storytelling | Mobilizedtv
Master of the Digital Universe – CUNY Newswire – CUNY
Part Tolkien and part Bruce Springsteen, Jeff Gomez ’85 helps Hollywood and Fortune 500 companies tell their stories across multiple media platforms You can’t hide in your bedroom and “play with your plastic dinosaurs forever,” muses the boy inside Jeff Gomez ’85. Instead, through his imagination, this lonely Latino child from the Lower East Side morphed into a globe-trotting storyline universe creator, consultant, and producer. From a gritty childhood and an adolescence of playing Dungeons & Dragons in the Queens College Student Union, he has shaped a professional life immersed in dozens of fictional worlds. President and CEO of Starlight Runner Entertainment in Manhattan, Gomez is a guru of transmedia storytelling, which involves creating a narrative robust enough to span animation, ads, films, web content, and books to video games, toys, and theme parks.Video: Understanding Youth with storytelling and games » strategy
June 9, 2011 by Jennifer Horn Email/Share It’s one thing to inject a brand and its promotional package into platforms accessible to youth, but to actually get them to experience and live the brand is a whole other ball game. So say the speakers at yesterday’s Understanding Youth conference, a strategy magazine-hosted event in Toronto, where marketing concepts from across the social, mobile and digital media board were introduced and illustrated to attendees in an effort to understand what really drives youth to engage with a brand. A recurring podium discussion was that of gamification. Points-based gaming, such as the Facebook Farmville application, mentioned by Rajat Paharia, founder and CPO of Bunchball.com, is a key influencer in attracting and retaining users. “People love points…they can be indicators of status and seniority in the community,” he said.
Trans-Immediate Transmedia: Mysteries of Storytelling in Real-Time « Transmedia International Masterclass
When a video game is developed the designers must try and answer every question before the game is released. Even when we fail, we still can have days, even weeks, before we release an update to remedy any lapses in our design. The Case of the Panicked Mechanic, The Case of the Disappearing Den, The Case of the Cantankerous Coca-Cola Crew and other mysteries, will illustrate how telling transmedia stories in real-time in the real world often demands instantaneous solutions to unforeseen problems: an entire new level of writing and design challenges. 0 0 0 share 0 share New
25 Things You Should Know About Character
Without character, you have nothing. Great plot? Robust storyworld? Potent themes?#xtor=AL-32280258#xtor=AL-32280258
Comment raconter au mieux une même histoire en deux dimensions, en trois dimensions, en images de synthèse, ou dans un format pour téléphones mobiles ? Le projet Il était une fois 5 , réalisé par le pôle Images et réseaux de Lannion et Rennes, a tenté l'expérience : à partir d'un même scénario, quatre courts-métrages ont été réalisés, chacun dans son format propre, plus un web-documentaire racontant la genèse du projet. A partir d'un scénario de long-métrage écrit par Nicolas Hervoches et racontant l'histoire de naufrageurs bretons au XVIII e siècle, quatre films ont été réalisés : au format cinéma "classique", en format mobile, en 3D et en 3D images de synthèse.Webdoc, La narration et l'interaction
qu'est ce qu'une narration interactive ? 1. Une histoire centrale pensée et développée par un auteur: Origine: une App mobile, un livre, un site web, un script avec une question centrale, un personnage. 2.Hi! Like Transmedia Storytelling , join today to create your own personalized start page. Organize and share your own favorite content: it's free, fast and it's fun!