shooting
< Video Production
< Cinema
< arthurvibert
Get flash to fully experience Pearltrees
Apr 6
I have used a lot of C-stands on sets in the past but never owned one myself.
Are the lights in your studio Cool Lights ? If not, we have what you need in our pro-level Softlight Series Fluorescent Studio and Location Lights , Hardlight Series affordable HMI fixtures and our famous LED Video Lighting which are all perfect, high output per watt "cool" solutions for filmmakers and videographers. Solutions for both studio lighting and the road too. In fact, you will want to see our 4 x 55 watt portable flo CL-455P that weighs in at 8 pounds, the small but powerful CL-LED600 LED video light, the larger and versatile CL-LED1200 BiColor LED video light and CL-MF0150 CDM (150w) Fresnel which packs the punch of a 650w conventional tungsten fresnel!
Readers of The DV Rebel’s Guide know that I like to set up my cameras to record as much dynamic range as possible, resulting in a low-contrast, low-saturation “digital negative” that allows more flexibility for grading in post. If you’ve seen any video I’ve shot with the Canon 5D Mark II lately, whether in the Red Giant TV tutorial or on fxphd , you may have wondered how I set up the camera to achieve this.