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L'Environnement comme Milieu _ Nov 2010 - on secure.prezi.com

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Branch Out Trestles

http://www.studiomama.com/branchout.html# My aim was to make a small intervention using a natural form,, whilst utilizing the 3D scanner, 3D software and stereo lithography technologies. I was inspired by the fallen branches whilst walking in the forest. These branches would otherwise eventually biodegrade into the earth. Digital technologies from Metropolitan Works gave me the opportunity to explore these beautiful pieces of nature.I scaned found branches in 3D and subtly manipulated them a 3D program. The manipulated branches were then rapid prototyped and cast. The cast branches were then used as connectors in conjunction with my collected fallen branches.
http://www.omerarbel.com/ With Corrine Hunt. 27.1: OAO's winning design proposal for the 2010 Olympic and Paralympic Medals began, as a conceptual point of departure, with the application of the iconographic jewelry archetype, the locket. The first iteration of the design comprised of two sheets of material, held together by hidden magnets, which housed an internal cavity into which the winning athlete could insert a sentimental object such as a photograph or lucky charm. A manufacturing technique was developed to ensure that each medal produced had a cavity of differing shape and proportion, so that every single medal produced was completely unique from every other medal made. This unique shape (hinting at the existence of an inner cavity) registers on the surface of each medal and became its formal raison d'etre.

Omer Arbel Office

http://www.archdaily.com/72192/kolumba-musuem-peter-zumthor/ © Jose Fernando Vazquez Special thanks to our reader Jose Fernando Vazquez from Urbana Arquitectura (view his work previously featured on AD ) who has shared these images of Zumthor’s amazing Kolumba Museum with us. Situated in Cologne , Germany, a city that was almost completely destroyed in World War II, the museum houses the Roman Catholic Archdiocese’s collection of art which spans more than a thousand years. Zumthor’s design delicately rises from the ruins of a late-Gothic church, respecting the site’s history and preserving its essence. ”They [the Archdiocese] believe in the inner values of art, its ability to make us think and feel, its spiritual values. This project emerged from the inside out, and from the place,” explained Zumthor at the museum’s opening.

Kolumba Museum / Peter Zumthor | ArchDaily

Here is another project by our featured architects Suppose Design Office , this time the renovation of a house in Hiroshima city, Japan, where interiors are divided by walls that only reach halfway down from the ceiling. Called House in Kamiosuga, the project involved gutting the existing interior and inserting new half-height partitions between existing beams. Usually, when we distinguish between the inside and outside of the buildings we make an unconscious judgment of the direction and strength of the sunlight, the sensation of the ground, the types of sounds flooding our surroundings and their power. The renovations currently being done involved totally gutting this building’s frame and have left an amount of new living space; the existing partition beams had been hanging partition walls that divided the now-open space. http://www.dezeen.com/2010/02/23/house-in-kamiosuga-by-suppose-design-office/

Blog Archive » House in Kamiosuga by Suppose Design Office

Blog Archive » OAK bar by dePaor Architects

http://www.dezeen.com/2011/01/20/oak-bar-by-depaor-architects/ Irish studio dePaor Architects have inserted this oak grid-shell structure into the café area of Dublin Airport ‘s Terminal 2, which opened late last year. The landside bar and cafe in the new terminal at Dublin airport is a n 84mm oak veneered plywood deformed grid shell as a baldacchino over bar and server.
Le Corbusier built the Cabanon in 1952 for his holidays at Cap-Martin on the Cote D’Azure, retreating there every summer for more than ten years. The Royal Institute of British Architects and Cassina present the exhibition Le Corbusier’s Cabanon. The Interior 1:1. Le Corbusier 1952 – Cassina 2006 which will remain open from the 5th of March to the 28th of April 2009, in the Florence Hall of the RIBA.

Blog Archive » Le Corbusier’s Cabanon – the interior 1:1

http://www.dezeen.com/2009/03/06/le-corbusier%e2%80%99s-cabanon-the-interior-11/
archjapan

sschemata / WORKS -english-: 967)033bench2 アーカイブ

http://www.sschemata.com/english/works/archives/03others/967033bench2/index.html a chair+ a( duck-legged )chair+ a chair+ a chair+ a chair+ a chair ⇒ a bench We convert from 6 chairs into 1 bench by changing 6 seat side to 1 seat side.We exhibited the bench to the festival of the art "NEW TOKYO COMTEMPORARIES" in Marunouchi,Tokyo.
archi'blogs

Barkow Leibinger Architekten: Frank Barkow und Regine Leibinger 1993 haben Frank Barkow und Regine Leibinger ihr amerikanisch-deutsches Architektur- büro in Berlin gegründet. Das Leistungsspektrum von Barkow Leibinger Architekten umfasst öffentliche Bauten, Büro- und Verwaltungsgebäude, Industriebau – vom Masterplan bis zur Produktionshalle –, außerdem Innenausbauten für Wohnen und Gewerbe sowie Bauen im Bestand. Zu den wichtigsten bisherigen Projekten zählen die Biosphäre in Potsdam (u.a. ausge- zeichnet mit dem BDA-Preis Brandenburg 2003), ein Kunden- und Ausbildungszentrum in Farmington, Connecticut / USA, das Gründerzentrum in Grüsch / Schweiz (u.a. Business Week Architectural Record Award 2003), die Laserfabrik und das Vertriebszentrum für Trumpf in Ditzingen (u.a.

Barkow Leibinger - Mozilla Firefox

http://www.barkowleibinger.com/
http://web.cipiuesse.it/web/project_detail.php?valo=e_25_10 Immersed amongst the vineyards and wheat fields, their rows tracing the memories of ancient crops, where space is marked rhythmically by the stakes supporting vine shoots and loses its colourful third dimension at the moment of ploughing time, is the small plot that hosts the nursery school in Covolo. It appears to be the missing piece necessary to complete the small urban centre, whose stable landmarks include the 16th-century church and bell tower, and the Dominican complex of Villa Bellati. A collection of modest structures is linked by a continuous series of stone walls, held intact by a thin layer of rough plaster. These walls, which accompany us for much of the way into the centre of Pederobba defining the boundaries between the network of roads and cultivated fields through­out the region of the Pedemontana, run adjacent to a meandering mass of vegetation which fills the wide gravely bed of the Piave River.

C+S Projects > Selected Projects > Education > Nursery school in

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