
arianebueller
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A room of one's own, by Virginia Woolf
Playing God
[ Editor's note: In celebration of the holidays, we're counting down the top 12 Flavorwire features of 2012. This post, at #1, was originally published January 31. ] With Amazon slowly taking over the publishing world and bookstores closing left and right, things can sometimes seem a little grim for the brick and mortar booksellers of the world. After all, why would anyone leave the comfort of their couch to buy a book when with just a click of a button, they could have it delivered to their door? Well, here’s why: bookstores so beautiful they’re worth getting out of the house (or the country) to visit whether you need a new hardcover or not.
The 20 Most Beautiful Bookstores in the World
Film History of the 1950s
Hitchcock in the 50s: Britisher Alfred Hitchcock (1899-1980), the "Master of Suspense," made some of his very best suspense/thrillers during the 1950s, and also found success in the new medium of TV in the mid-50s. He premiered his television series anthology Alfred Hitchcock Presents in October, 1955, to bring his macabre sense of humor to the small screen. Each show was prefaced by his ominous, droll greeting "Good Evening" and short, introductory, on-screen comments. Hitchcock employed most of his TV crew to produce his black and white cinematic masterpiece at the end of the decade, the low-budget Psycho (1960) . Hitchcock became well-known and a noted film-maker for two fundamental reasons: his clever cameos called attention to himself, and his films often did well at the box-office.Faire son CV : Un professionnel vous aide !
7" vinyl only, limited one off pressing of 300 Includes immediate download of 2-track album in your choice of MP3 320, FLAC, or just about any other format you could possibly desire. ships within 2 days edition of 300 about Mélodique et hypnotisant, percutant et atmosphérique, Cavalcades épiques, orgues et guitares fuzz en apesanteur, tube yéyé imaginaire dans la stratosphère, les Tara King th. délivrent une pop psychédélique en couleur cette fois, mais toujours élégante et fumée.
Arrogant Doll / Pretty Mess | Petrol Chips Productions
drawn and quarterly
What It Is Lynda Barry What It Is demonstrates a tried-and-true creative method that is playful, powerful, and accessible to anyone with an inquisitive wish to write or remember. Bursting with full-color drawings, comics, and collages, autobiographical sections and gentle creative guidance, each page is an invigorating example of exactly what it is: "The ordinary is extraordinary." Lynda Barry explores the depths of the inner and outer realms of creation and imagination, where play can be serious, monsters have purpose, and not knowing is an answer unto itself. How do objects summon memories?Terrence Malick vs Lars von Trier | Motifs
Il est rare quand un grand réalisateur, connu pour ses films dramatiques et poétiques, philosophiques et historiques, emprunte tout à coup un genre complètement inédit pour lui, le film de science-fiction à grand spectacle. C’est encore plus rare quand deux grands réalisateurs présentent, au même festival de Cannes, leur dernier film cosmologique, si étrange par rapport à l’univers auquel ils nous avaient habitués. C’est bien pourtant ce qui s’est produit lors du dernier festival de Cannes : The Tree of Life de Terrence Malick et Melancholia de Lars von Trier partagent ceci d’exceptionnel qu’ils comportent de grandes séquences cosmiques, un ballet de planètes, un saut dans l’hyper-espace, alors que l’univers cinématographique des deux cinéastes est on ne peut plus lointain (justement) du space opera , de Star Wars ou de Dune . Quelle mouche du troisième type a donc piqué le réalisateur de Le Nouveau Monde ou celui de Dogville ?girls in the garage land
Le regard des cinéastes américains sur la télévision
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OTTO PREMINGER (Hors collection) de COLLECTIF De Laura (1944) à Rivière sans retour (1955) puis à Exodus (1960), du Cardinal (1963) à The Human Factor (1979), magnifique dernier film, Otto Preminger n’a cessé d’évoluer. Le Preminger que défendirent Jacques Rivette, Jean-Louis Noames ou Serge Daney au présent, dans les années 1950 et les années 1960, n’est donc pas le même que celui que relisent aujourd’hui, année après année, période après période, Olivier Eyquem, Chris Fujiwara, Christoph Huber, Pierre Léon, Miguel Marias et Mathieu Macheret.
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