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LE FAUVISME (1905-1915)

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Kees van Dongen : art sensuel et criard. Cornelis Theodorus Maria 'Kees' van Dongen (26 January 1877 – 28 May 1968) was a Dutch-French painter and one of the Fauves at the controversial 1905 Salon d'Automne exhibition.

Kees van Dongen : art sensuel et criard

He gained a reputation for his sensuous, at times garish, portraits. Life and work[edit] Kees van Dongen was born in Delfshaven, then on the outskirts, and today a borough, of Rotterdam. He was the second of four children in a middle-class family.[1] In 1892, at age 16, Kees van Dongen started his studies at the Royal Academy of Fine Arts in Rotterdam, working with J. Striening and J.G. In 1897, van Dongen lived in Paris for several months, where there was a large emigre community. Marriage and family[edit] Woman with Large Hat, 1906 He returned to join Augusta Preitinger ("Guus"), whom he had met at the Academy. Guus took Dolly to see their families in Rotterdam in the summer of 1914, where they were caught by the outbreak of World War I. Maurice de Vlaminck - Wikipedia. Maurice de Vlaminck (4 April 1876 – 11 October 1958) was a French painter.

Maurice de Vlaminck - Wikipedia

Along with André Derain and Henri Matisse he is considered one of the principal figures in the Fauve movement, a group of modern artists who from 1904 to 1908 were united in their use of intense colour.[1] Vlaminck was one of the Fauves at the controversial Salon d'Automne exhibition of 1905. Life[edit] Maurice de Vlaminck was born on Rue Pierre Lescot in Paris. His father Edmond Julien was Flemish and taught violin and his mother Joséphine Caroline Grillet came from Lorraine and taught piano.[2] His father taught him to play the violin.[3] He began painting in his late teens. In 1893, he studied with a painter named Henri Rigalon on the Île de Chatou.[4] In 1894 he married Suzanne Berly. Maurice de Vlaminck, 1905-06, Barges on the Seine (Bateaux sur la Seine), oil on canvas, 81 x 100 cm, Pushkin Museum, Moscow Vlaminck participated in the controversial 1905 Salon d'Automne exhibition. André Derain : co-fondateur du fauvisme avec Matisse. André Derain (French: [dəʁɛ̃]; 10 June 1880 – 8 September 1954) was a French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse.[1] Biography[edit] Early years[edit] Fauvism[edit] André Derain, 1905, Le séchage des voiles (The Drying Sails), oil on canvas, 82 x 101 cm, Pushkin Museum, Moscow.

André Derain : co-fondateur du fauvisme avec Matisse

Exhibited at the 1905 Salon d'Automne Derain and Matisse worked together through the summer of 1905 in the Mediterranean village of Collioure and later that year displayed their highly innovative paintings at the Salon d'Automne. André Derain, 1906, La jetée à L'Estaque, oil on canvas, 38 x 46 cm In 1907 art dealer Daniel-Henry Kahnweiler purchased Derain's entire studio, granting Derain financial stability. Slim, elegant, with a lively colour and enamelled black hair.

Towards a new classicism[edit] At about this time Derain's work began overtly reflecting his study of the Old Masters. After the war, Derain won new acclaim as a leader of the renewed classicism then ascendant. Mouvement artistique et artistes. Henri Matisse - Wikipedia. Henri-Émile-Benoît Matisse (French: [ɑ̃ʁi emil bənwɑ matis]; 31 December 1869 – 3 November 1954) was a French artist, known for both his use of colour and his fluid and original draughtsmanship.

Henri Matisse - Wikipedia

He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter.[1] Matisse is commonly regarded, along with Pablo Picasso and Marcel Duchamp, as one of the three artists who helped to define the revolutionary developments in the plastic arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture.[2][3][4][5] Although he was initially labelled a Fauve (wild beast), by the 1920s he was increasingly hailed as an upholder of the classical tradition in French painting.[6] His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art.[7]