Robert Pepperell. Studio paintings iPad painting Exhibitions Catalogue of oil paintings Monochrome series 2005 Robert Pepperell studied at the Slade School of Art. Throughout the 1990s he exhibited electronic works, including at Ars Electronica, the Barbican Gallery, Glasgow Gallery of Modern Art, the ICA, and the Millennium Dome. Paradox 1, 2005, Oil on panel, 46cm x 60cm Fragrance, 2005, Oil on canvas, 30cm x 40cm Succulus, 2005, Oil on panel, 122cm x 122cm Open Day, 2005, Oil on canvas, 36cm x 45cm Became, 2005, Oil on panel, 30cm x 40cm St Jerome, 2005, Chalk on paper, 42cm x 59cm The Spies, 2005, Chalk on paper,42cm x 59cm The Seminary, 2002, Graphite on paper, 42cm x 53cm Exodus, 2002, Chalk on paper, 42cm x 53cm Taken, 2005, Chalk on paper, 42cm x 59cm.
Antonio mora. Double exposure photography by antonio mora. Photography. Abelardo Morell - Photography. Lee Bul - Exhibitions - Lehmann Maupin. 99ROOMS.COM. Pieter Jansz. Saenredam. Assendelft Church, 1649, with the gravestone of Saendredam's father in the foreground. The Grote Markt including the Hoofwacht on the left in Haalem - 1629 Pieter Jansz. Saenredam (9 June 1597 - buried 31 May 1665) was a painter of the Dutch Golden Age, known for his distinctive paintings of whitewashed church interiors. Biography[edit] Saenredam was born in Assendelft, the son of the Northern Mannerist printmaker and draughtsman Jan Pietersz Saenredam whose sensuous naked goddesses are in great contrast with the work of his son.
He was a contemporary of the painter-architects Jacob van Campen, Salomon de Bray, and Pieter Post. Saenredam's paintings frequently show medieval churches, usually Gothic, but sometimes late Romanesque, which had been stripped bare of their original decorations after the iconoclasm of the Protestant Reformation. In any case, Saenredam wanted to record this time of change by documenting the country’s buildings.
References[edit] External links[edit] Archives: Corridors of power. Corridors of power Date: 07-04-1992 Owning Institution: Publication: The Independent 1987 - 1999 Subject: Now Renaissance Pieter Saenredam's Interior of the Buurkerk, painted in 1644, detains few visitors to the National Gallery. It is such a quiet and unassuming picture, so still and distant and alien, that it is easily passed by. But it rewards close inspection. This painting of a Protestant church in Utrecht exemplifies Saenredam's fanatical modesty, his apparent lack of interest in anything superfluous to architectural description.
It contains a few, isolated groups of figures and the odd dog or two, but they are dwarfed by the spacious church in which they are located and which seems to be the painter's true theme. Saenredam has been called ''the first portraitist of architecture'', which might be said to make him oddly topical. To see Saenredam thus is to misinterpret him, but in a fairly understandable way. The Sacred Spaces of Pieter Saenredam (Getty Exhibitions) The Harvesters (Pieter Bruegel the Elder) : The Metropolitan Museum of Art. Watercolors by Grzegorz Wróbel. Amazing Hand Cut Map Art. Karen O’Leary is famous for creating hand cut paper maps of popular cities. Careful elimination of unnecessary parts results in a beautiful artwork with the sharp contrast between the solid and void.
Singapore Vancouver Sydney Atlanta Manhattan San Francisco London New Orleans Seattle Madrid. Leaf Cut Art by Lorenzo Durán.