Cine
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The European Film Market 2012 ( EFM ), which took place from February 9-17 during the 62nd Berlin International Film Festival, had its strongest year to date [...]Empire Features
ENTRIES WRITTEN BY: Simon Braund, Glen Ferris, Ian Freer, Nev Pierce, Chris Hewitt, Dan Jolin, Ian Nathan, Kim Newman, Helen O'Hara, Olly Richards and Owen Willams
The Best 1,000 Movies Ever Made - Reviews - Movies - New York Times
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New Wave Films - Welcome
In the 1950s, Bluebeard was the favourite tale of good little girls, one of whom is Catherine, who loves to frighten her older sister Marie-Anne by reading this fairy tale to her until she starts to cry. Catherine also puts herself in the fairy tale by becoming Princess Marie-Catherine,...
¡Lo más buscado en eCine! clásicos cine colombia cine online estrenos cartelera cine cine italiano Sherlock Holmes 2 peliculas españolas Spider Man películas 2011 cine mexicano cine bélico peliculas francesas peliculas de hollywood peliculas cubanas erotismo cine argentino rodajes preestrenos cine cine erótico español documentales estrenos 2012 cortometrajes películas eróticas argentinas películas en 2013 ¡Últimas películas modificadas!
Películas japonesas - Cine japonés
Hollywoodland
The studio lot, once owned by Mary Pickford and Douglas Fairbanks, has had many names and housed many productions over the years. Its new owner intends to raze and replace several buildings. Mary Pickford and Douglas Fairbanks worked there. So did Charlie Chaplin, Marilyn Monroe, Elizabeth Taylor, Clark Gable, Marlon Brando and practically everyone else. Soon, though, wrecking crews will be at work at the storied West Hollywood movie lot at the corner of Santa Monica Boulevard and Formosa Avenue. Once known as the Warner Hollywood Studio, it’s now called “The Lot.”
Greatest Films - The Best Movies in Cinematic History
Here is Filmsite's esteemed selection of 100 Greatest Films in the last century of American/Hollywood film-making (including English-language films). This selected list of 100 Greatest Films covers, by conscious choice and with specific criteria, a wide range of genres, decades, stars and directors. Every film includes a summary, a short synopsis and links to longer critical reviews for each film. There are also additional suggested selections for the Top 200 and Top 300 Films of All-Time.
Si pienso en aquello que aproxima a Maurice Pialat, Jean Eustache, Jacques Doillon y Philippe Garrel, los cuatro autores propuestos por María Velasco en su libro, lo primero que me viene a la cabeza es precisamente...
Miradas de cine
Que el cine evoluciona en base a movimientos es algo que ya sabemos desde hace tiempo, desde los años sesenta de la nouvelle vague e incluso antes… Momentos en los que unos cineastas tienen que “saltar y empujar” (lema del free cinema inglés) para lograr hacerse ver… y unas veces eso se consigue de una forma tranquila y serena, sin sobresaltos (el nuevo cine italiano) y otras hay que recurrir a métodos expeditivos… de nuevo, la nouvelle vague… Es difícil encontrar una cinematografía que en el algún instante no haya tenido esa ola que le aporta algo de aire fresco, nuevas ideas y nuevas maneras de entender el cine… Los cinemas asiáticos no han sido tampoco ajenos a ello, y así tenemos el nuevo cine japonés de los años sesenta, la quinta generación china de los ochenta, la generación perdida de los noventa, el nuevo cine taiwanés de Hou Hsiao-hsien y Edward Yang o los nuevos cines hongkoneses, primera versión (Tsui Hark, Ann Hui,…) y segunda versión (Wong Kar-wai, Stanley Kwan,…).
Asiateca
Obscure Classics
Much like The Set-Up, a movie from 3 years earlier, Don’t Bother to Knock attempts to tell a story in real time or at least near real time. This is a stylistic choice that was rarely made in films of this era, in fact it has rarely been attempted in the entire history of film. A few examples come to mind, such as the television show 24, starring Kiefer Sutherland, and the 2003 film Phone Booth as well as 88 minutes with Al Pacino. Rope (1948), which was Directed by Alfred Hitchcock also employed an attempt at this near real time approach. Much like Rope, Don’t Bother to Knock begins to feel somewhat claustrophobic.