
punctuating the science life with arts
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WTF: 1890s Lavatory Reimagined As A Chic Cafe
In what’s easily the most creative (and nuttier) adaptive re-use project we’ve seen, The Attendant in London converts a Victorian-era public lavatory into a posh new cafe. The flip, conceived and overseen by Pete Tomlinson and Ben Russel, preserves the erstwhile loo’s period urinals, produced by Doulton & Co. in 1890, which were cleaned (duh) and polished to a sparkling white finish. A long wooden plank was wedged into the upper halves of the urinals to create continuous table space along the back wall. The urinal walls function as table partitions, while the banquette showcases their surprisingly plastic forms.What should the government's architecture review focus on? | Oliver Wainwright | Art and design
Bits of buildings: How is computing changing the architect’s job?
yolanda dominguez : Poses
Poses (2011) “Poses” is a direct criticism of the absurd and artificial world of glamour and of fashion that magazines present. Specifically, the highly-distorted image of women that they transmit through models that do not represent real women and that avoid all those who are not within their restricted parameters. These images are virtually the only feminine reference in the mass media and they have a great influence in both men and women when building our roles in terms of behavior and ways of thinking. Using these impossible stances of the fashion publishing houses as a symbol of how grotesque and unreal this industry is, a group of real women transfer these poses to daily scenes: the queue of a museum, the supermarket or the bus stop, sparking off the reaction of the spectators (on the other hand, regular consumers of these images). The aim: to make it clear how ridiculous, and at times harmful, it can be to follow these models that the world of glamour impose on us.The 20 Most Beautiful Bookstores in the World
Writing office for National Geographic's "Explorer in Residence"
Radev collection: tale of three art lovers to be told in new touring exhibition | Art and design
Bjork's latest album, Biophilia comes in the form of several apps, but they're only accessible on iOS devices.
Bjork trusts pirates to take 'Biophilia' cross-platform
Political street art in Tahrir Square during the Egyptian uprising in February 2011.
'This is freedom' – visual art and the Egyptian uprising | Art and design
Kenneth Grange: A very British modernist | Art and design
Grey eminence ...I remember it as a rat-infested dump. Water dripped down walls.
Sir George Gilbert Scott, the unsung hero of British architecture | Simon Jenkins | Comment is free
Freestyle dancer Casie.
The wild world of freestyle dance | Stage
A t a glance, a painting by Jackson Pollock can look deceptively accidental: just a quick flick of color on a canvas. A quantitative analysis of Pollock’s streams, drips, and coils by Harvard mathematician L. Mahadevan and collaborators at Boston College reveals, however, that the artist had to be slow — he had to be deliberate — to exploit fluid dynamics in the way that he did. The finding, published in Physics Today , represents a rare collision involving mathematics, physics, and art history, providing new insight into the artist’s method and techniques, as well as his appreciation for the beauty of natural phenomena. “Our article is mainly an invitation to think about some aspects of art from a scientific perspective,” said Mahadevan, who is the Lola England de Valpine Professor of Applied Mathematics at Harvard’s School of Engineering and Applied Sciences (SEAS) and a professor of organismic and evolutionary biology and of physics. Crossovers between art and science are nothing new.
Pollock: Artist and physicist?
17 May, 2011 by: Rupertspoonfed Can rapping about Darwin introduce a new generation of schoolchildren to the theory of evolution? Rupert Uzzell chats to Baba Brinkman.

