Philoshopie
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La voix de Gilles Deleuze
ANTI-OEDIPE ET AUTRES RÉFLEXIONS - MAI/JUIN 1980 - DERNIERS COURS À VINCENNES (4 HEURES) SPINOZA - DÉC.1980/MARS.1981 - COURS 1 À 13 - (30 HEURES) LA PEINTURE ET LA QUESTION DES CONCEPTS - MARS À JUIN 1981 - COURS 14 À 21 - (18 HEURES) CINEMA / IMAGE-MOUVEMENT - NOV.1981/JUIN 1982 - COURS 1 À 21 - (41 HEURES) CINEMA : UNE CLASSIFICATION DES SIGNES ET DU TEMPS NOV.1982/JUIN.1983 - COURS 22 À 44 - (56 HEURES) CINEMA / VÉRITÉ ET TEMPS - LA PUISSANCE DU FAUX NOV.1983/JUIN.1984 - COURS 45 À 66 - (55 HEURES)
Featuring - Allen Ginsberg, Brion Gysin, Francis Bacon, Jackie Curtis, John Giorno, Lauren Hutton, Patti Smith, Terry Southern, William S. Burroughs
U B U W E B - Film & Video: William S. Burroughs - Burroughs The Movie (1985)
Exclusive Episode #103: Beryl Korot describes the impetus behind the innovative 1970s publication Radical Software , elucidating the history of video in art and the impact of mass media on society. Emerging from an independent video community that included media visionaries such as Marshall McLuhan and groups such as Televisionaries, Videofreex, People's Video Theater, and Global Village, the first issue of Radical Software debuted in Spring of 1970 as a publication by the Raindance Corporation . Beryl Korot and Phyllis Segura (Gershuny) acted as Editors, while Michael Shamburg served as Publisher with Ira Schneider as co-Originator. Early contributors included Nam June Paik, Buckminster Fuller, Ant Farm, Frank Gillette, and Paul Ryan, among others. After eleven issues, Radical Software ceased publication in the Spring of 1974 and is now an invaluable time capsule of an era.
