Music in 45 rpm

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Colin Blunstone & The Zombies

http://www.geocities.com/lmfzor/index_scott.htm

Scott Walker track samples - unofficial and uncommercial - Mozil

GeoCities has closed, but there's a lot more to explore on Yahoo! The GeoCities site you were looking for may have been preserved in the Internet Archive's Wayback Machine. To find out, visit Archive.org and enter the site's web address in the field provided.

Second Hand Songs - Home - Mozilla Firefox

http://www.secondhandsongs.com/ Once and a while we come across people that are walking encyclopedia of music knowledge, and sometimes we're lucky enough that they want to join our team. Ladies and gentlemen, we're very proud to anounce you our latest editor: SlimD! His music taste ranges from country & western music to jazz, folk, classical and gospel. He'a also particularly fond of contemporary music with a "roots" base, think of Paul Simon. His extensive knowledge of pre-1960s recordings will be highly complementary with the other team members specialties.
http://www.spaceagepop.com/index.htm

The Space Age Pop Music Page - Mozilla Firefox

A:hover {color: #C0C0C0; text-decoration: underline} What is Space Age Pop? A Listener's Guide to Space Age Pop Who's Who: Biographies
Scott Walker @ BBC 1968 / 1969

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Chantons avec le nouvelle vague

garage hangover | the site for 1960's garage bands - Mozilla Fir

http://www.garagehangover.com/ When Jim Lewallen sent me scans of his group the Goldenaires' 45 on Angelus Records, I started looking into the label's discography. I really didn't know what I was getting into! Angelus was a big operation, putting out hundreds of LPs of Christian inspirational music from the early '60s into the '70s. Within that catalog there are a handful of interesting releases in other genres.
There were other significant New York City-based independent record labels – Riverside, Savoy, Atlantic, Clef/Norgran/Verve – that recorded modern jazz in the post-War decades, but, Blue Note aside, few would be so closely associated with the music as Prestige Records. Few would release jazz with such alacrity, for that matter. I should be clear: The discography at Prestige Records – formed in 1949 by twenty-year-old jazz fan Bob Weinstock – is one of post-War jazz’s most important and essential, with Miles Davis, Sonny Rollins, John Coltrane and other heavyweights recording unimpeachable masterpieces for the label. But the Prestige model, which operated on a dizzyingly prolific schedule, occasionally at the expense of quality and fidelity, would essentially remain the same over its twenty-two-year history. http://www.officenaps.com/

Office Naps: Fresh 45 rpm curios every Monday - Mozilla Firefox

The Quill Records Story - The Best of Chicago Garage Bands 1. The Exterminators - Voo Doo 2. The Exterminators - Declaration Of Independence 3. http://chocoreve.blogspot.com/

Chocoreve - Mozilla Firefox

Charlie Baker You Crack Me Up Liberty - 55226 MP3 File If you were somehow able to combine the humorous R&B vocal style of the Coasters with some wicked Lowman Pauling style guitar, you'd end up with this incredible little slice of R&B perfection. http://jukeboxmafia.blogspot.com/

Jukeboxmafia - Mozilla Firefox

Boogie Woogie Flu - Mozilla Firefox

http://boogiewoogieflu.blogspot.com/ by Ariella Stok It was a classically Semitic combination of chutzpah and horniness that led Lawrence Ira Kahn, a white Jewish kid from Brownsville, Brooklyn to become Larry Harlow, a king of salsa, a musical movement that combined Cuban son with New York bebop, and served as much to fuel the dance floors of nightclubs numbering in the hundreds during its heyday in the early 1970s, as to define the cultural voice of New York’s influx of Latino immigrants—mostly Puerto Rican, Cuban, and Dominican—that began in the 1950s. Harlow not only was the leader of one of the hottest bands in town during the salsa boom of the late 60s and early 70s, but a pioneer who helped define and expand the genre via his ambitious arrangements and songwriting, engineering and production, and an approach that returned the music to its traditional roots while informing it with the popular sounds of his day.