Music . Worship . Service | OCP.org. Catholic Vision: Homily 21st Sunday C. If I recall correctly, I first noticed this when I was 10 years old. It still happens today and it doesn't matter whether you are young or old, simple or smart- it happens to all of us. It is so subtle that I wouldn't have noticed if my dad hadn't said anything. Every time I or my brother, or anyone of us sits down in front of a TV we look like this: [blank stare]. I'm sure you all recognize this reaction, whether from your own life or your friends and children. Well, I never recognized this until one day, my brother and I were [extended blank stare] with the TV. Dad came in and, neither loudly nor softly but normally, said "John, do you want $5? " John replied [blank stare]. A few weeks later as John and I were [blank stare] with the TV, Dad came in and, neither loudly nor softly but normally, said "John do you want $5?
" That story came to me as I reflected on how I was struck by today's Gospel. "you will begin to stand outside and knock at the door, saying, 'Lord, open to us.' PrayTell - Worship, Wit & Wisdom. Catholic Theological College > Area of Study > Liturgical Studies > Undergraduate Units > Liturgical Rites and Music. This unit will provide those engaged in or embarking upon pastoral ministry with an understanding of the integration of appropriate music into the liturgical rites of the Catholic Church, namely, the Eucharist, the Rites of Christian Initiation and Healing, the Rite of Marriage, the Order of Christian Funerals and the Divine Office (Morning and Evening Prayer).
Liturgical principles for integrating music will be drawn from the documents on liturgy and music of the Second Vatican Council and subsequent magisterial and scholarly statements. Students will be exposed to liturgical music from various historical periods and in a range of styles that apply to liturgical ministries such as the assembly, presiding ministers, choirs and cantors. Official chant sources in Latin and English will be explored in addition to relevant collections of liturgical music from Catholic and ecumenical sources. Prerequisites Requirements intensive mode: 10.00am – 5.00pm Assessment Bibliography Deiss, Lucien. Pastoral Liturgy® Magazine - Liturgy for the Whole Parish. Sing to the Lord: Music in Divine Worship (STL) offers guidance in considering issues that continue to challenge us.
This article will look at four such challenges: the sacred-secular relationship, sung liturgy with sung dialogues and responses, the use of Gregorian chant, and the use of hymnody at Mass.1 Since the Second Vatican Council, some have criticized the admission of secular styles of music into Catholic liturgy, including the use of secular instruments. There is precedent for these concerns, especially in the nineteenth-century Cecilian reform movements that sought to "purify" Catholic worship. The philosophical issues involved in trying to distinguish sacred music from secular music, however, are highly complex. As I argue in Sacred Music and Liturgical Reform, it is difficult to uphold a clear distinction between sacred and secular music on historical grounds. To be sure, traditional music, such as chant and choral polyphony, is advocated with new vigor in STL. Notes. What Were the Musical Intentions of Vatican II?
0Google + 0Delicious by Jeffrey Tucker Description: Jeffrey Tucker discusses the book, Sacred Music and Liturgical Reform: Treasures and Transformations , by Anthony Ruff which posits a theory that Vatican II intended the music of the Roman Rite be Gregorian chant, with polyphony occupying a high status. Larger Work:The Wanderer Publisher & Date: The Wanderer Press, St. One of the most striking external differences between the older and new forms of the Roman Rite concerns the music. In trying to come to terms with what happened, there are three general theories about the true musical intentions of the Second Vatican Council, one of which gains new credibility in a new book by Anthony Ruff, Sacred Music and Liturgical Reform: Treasures and Transformations (Liturgy Training Publications, 2007).
On the other side of the debate are those whom we might call the traditionalists, who oddly suspect that the progressives are largely correct. Here is where Fr. Fr. In Fr. Garratt Publishing • Freecall 1300 650 878. CatholicQuiz.com. Saint Mary's Press: The Catholic Bible Publisher for Teens. Resources for Catholic Educators. An Idiot's Guide to Square Notes. Most people have no idea how to read them, and most trained musicians are as much at a loss as anyone else. They don't teach reading neumes (pronounced "nyoomz") in graduate school. What to do? There are two typical responses. An ambitious person scrambles to find the same chant in modern notation, and usually fails.
Modern-note editions of chant are out there but they are difficult to find and the repertoire is limited. Either response leads the person out of chant, and back into the status quo. There are serious trends alive today that are going to require Church musicians at all levels to revisit the chant tradition. Some people look at square notes and think they are some little more than a pious affectation. If you are not comfortable with neumes, the formal chant that built church music and Western music generally will be forever closed to you. And there is another problem: if you only sing chant with modern notation, the music will never sound quite right. The Notes The Clefs Style. Lenten Musical Themes. ROBERT R. REILLY Lent is tough – not so much because of the voluntary deprivations one may undertake, but because of what it leads up to: the Cross.
Take a look. Of course, there is the Resurrection on the other side of it. Without that, it would be hard to make it through the day (and I have a pretty easy day) – because I want to see my parents and my brother again, and my other friends and family members, and because I have no wish for personal extinction. If the Cross were the end, how could we cope? As St. But the Cross is what we are now hurtling toward. What does this mean in music? In response to his commission to write The Seven Last Words for Lenten services at the cathedral in Cadiz, Haydn said, "It was no easy task to compose seven adagios lasting ten minutes each, and to succeed one another without fatiguing the listeners.
" I am stunned by Franz Liszt's oratorio Christus. Devotion shines forth in the work of Christian Orthodox convert John Tavener (b. 1944). Robert R. Gregorian Chant Is Returning from Exile. Maybe. VALENTINO MISERACHS GRAUAs on other occasions in the past, this year on December 5 the Vatican Congregation for Worship dedicated one day to the study of sacred music, on the anniversary of the Second Vatican Council’s constitution on the liturgy, Sacrosanctum Concilium. The previous days have never produced any significant results. But now there is a pope, Benedict XVI, who is highly competent in the area of sacred music, is severely critical of the degradation of music following the council, and has written on a number of occasions what he thinks and what he wants: to restore to the Catholic liturgy the great music that “from Gregorian chant passes through the music of the cathedrals and polyphony, the music of the Renaissance and the Baroque, to Bruckner and beyond.”
The pope’s encouragement was addressed to an assembly composed of musicians and liturgists from many nations, some of whom were in disagreement with him over the matters at hand. A work of formation is necessary. Whatever Happened to Palestrina? REV. LAWRENCE B. PORTER A German opera called Palestrina, composed by Hans Pfitzner during the First World War, portrayed the 16th-century composer as the savior of Catholic Church music. Set during the Council of Trent, the opera had the council fathers on the verge of banning polyphonic music (many voices singing various melodies at variance) from the Mass. Then they heard a Mass by Palestrina and changed their minds. The story, though reported by various authors, is false.
Although he wrote some secular madrigals, Giovanni Pierluigi da Palestrina (1525-1594) did the vast majority of his work under the auspices of the Church. While he belongs to the Church in a special way, Palestrina might also have been a seminal influence on at least one modern secular composer. Perhaps it was from the aesthetics of plainchant that Palestrina learned the importance of an atmosphere of silence for prayer, whether sung or spoken. An experiment with liturgical music Why we need Palestrina Rev. Rev. Lenten Music. ERIC M. JOHNSON Few people today would think of Lent as a season for liturgical music, because Christmas has almost cornered the market. Unsatisfied with its own ample store of tunes, Christmas absorbs other seasonal compositions. Handel’s Messiah, no matter what you have heard, is an Easter oratorio, and the “Hallelujah Chorus” celebrates the Resurrection, not the Nativity. Lenten music has its own particular beauty, which may be lost on modern man.
“The idea of penance is not so popular today,” Father Skeris remarks dryly. This is regrettable because “when you look back at musical history, Lent has been an enormous source of inspiration for composers,” the birthplace of gems like the hymn “O Sacred Head Now Wounded,” and the chanting of the Lord’s Passion on Palm Sunday. Another little-noticed indicator of the times is the censorship of traditional music. “The Battle Hymn of the Republic,” originally sung by Civil War soldiers, may have endured the worst fate. Saunders, Rev. The Logos of Sacred Music. PAUL JERNBERG "The following is an essay written by the composer Paul Jernberg. Paul has composed his Mass of St Philip Neri for the new translation of the Mass. You can hear MP3s of this through links at the bottom. In the essay he discusses the principles that guide him in composition and which enable him to compose new music in accordance with timeless principles.
We have been singing his compositions at Thomas More College and I can attest firstly to how simple his works are for relatively inexperienced choristers to sing and how much those who hear his work respond to it. I have been working with him in creating psalm tones for the vernacular that are modal and so sit within the tradition.This has enabled us to chant, for example, the traditional Latin proper for communion and then a communion meditation in English without any sense of disunity. "The attached audio files have been recorded by members of the Parish Choir of St. An introduction to the Mass of Saint Philip Neri St.
Fourteen Easy Ways to Improve the Liturgy. No matter how mundane the architecture, how dull the homily, or how bad the music, what's taking place on the altar is a miraculous sacrifice that gives us the grace for salvation. That reality should be enough to keep our attention. And yet boredom is a reality that good liturgy can help fight. Many parishes try to do so by inventing every manner of new enticement: brighter and larger banners, forced attempts to create an upbeat environment of friendliness and commuity, big bowls of incense carried by special ministers, and Donahue-style homiletics. The attempt to jazz up the liturgy usually takes the form of musical enhancements and nearly always means more instruments and rhythms drawn from popular music. The rationale isn't complicated. But these approaches often backfire since the argument for them is flawed at its root.
In any case, Catholics can't compete with the local evangelical community centers for inspiring a toe-tapping community feeling. 1. 2. 3. 4. 5. 6. 7. St. 8. 9. 10. Singing Lessons. ROBERT A. SKERIS Neither the legitimate liturgist nor the competent choral director takes any great pleasure in noting that since the '60s a fundamental transformation has affected the celebration and concept of the liturgy. This change has tragically damaged our sacred music. The job of recovery, the step that will get us singing again, begins with our understanding of sacred liturgy. The Mass is the very core of the Catholic liturgy, the supremely important expression of the Church's faith. In 1990 John Paul II told the Brazilian bishops, "Legitimate and necessary concern for current realities in the concrete lives of the people cannot make us forget the true nature of the liturgical actions.
It is a fact that every liturgical celebration, "because it is an action of Christ the Priest and of His Body, which is the Church," is a sacred action surpassing all others. The Mass and the Sacred Agere Sequitur Esse — a thing acts as it is. Choosing a Hymnal Robert A. Father Robert A. Music and Liturgy. POPE BENEDICT XVI Areas of his existence are awakened that spontaneously turn into song.
Indeed, man's own being is insufficient for what he has to express, and so he invites the whole of creation to become a song with him: "Awake, my soul! Awake, O harp and lyre! I will awake the dawn! I will give thanks to you, O Lord, among the peoples; I will sing praises to you among the nations. For your steadfast love is great to the heavens, your faithfulness to the clouds" (Ps 57:8f.). We find the first mention of singing in the Bible after the crossing of the Red Sea.
Israel has now been definitively delivered from slavery. Liturgical Music Flows From Love The singing of the Church comes ultimately out of love. In liturgical music, based as it is on biblical faith, there is, therefore, a clear dominance of the Word; this music is a higher form of proclamation. Sacred Music in the West At this point the Council of Trent intervened in the culture war that had broken out. Music and Logos Silence. Spiritandsong.com. Brian Condon: Letters and Documents in 19th Century Australian Catholic History.
Letters listed in Date Order Justin McNamara of Maynooth to Mr John Lawler, Carlow College. 23 April 1815 Jeremiah F. Flynn [O'Flynn?] To the Most Reverend Dr Murray [Dublin] 27 March 1817 Charles Butler to Bishop Slater. 22 May 1818 William Henry Corbett to Rev. Bishop James Murray of Maitland to Cardinal Moran. Fr Charles van der Heyden to Bishop O'Reily of Port Augusta. 2 August 1892 Fr. Frederick Byrne's final appreciation of Francis Murphy. 1896 Web Edition 2000 email enquiries to: LBY-EASS-DivLibrarians@unisa.edu.au.
Libraries. Post-grad links.