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Modernism Essay | Design Context. Focussing on specific examples, describe the way that modernist art and design was a response to the forces of modernity? Modernism defines a period of change within the world that took place between the end of the nineteenth century and throughout the twentieth century. The implications of us now living in a post-modern world imply that modernism is something that has happened and no longer represents the now or the contemporary. The ideologies behind modernist thinking were that modern design is an improvement of all that came before it and through experimentation, innovation, individualism, purity and originality we progress forward as a society.

The modern movement came as a result of the industrial revolution and urbanisation as the world began to modernise people moved from the rural farming industry and into the social hub of the city filled with factories, new technologies and new forms communication and travel. Truth became a focus for modernist design all over the world. 1125 words free sample essay on Post Modernism. Post-modernism is a school of thought or a tendency in contemporary culture which rejects modernism. It is characterized by the rejection of objective truth and global cultural narrative. It emphasizes the role of language, power relations, and motivations.

It attacks the use of sharp classifications such as male versus female, straight versus gay, white versus black, and imperial versus colonial. It has been described by Fredric Jameson as the "dominant cultural logic of late capitalism". Although the term 'post-modernism' was first used around the 1870s in various areas, as a general theory of an historical movement the term was first used in 1939 by the historian Arnold J. Subsequently, the term 'post-modernism' was applied to a whole host of movements that reacted against modernism many in art, music, and literature and are typically marked by revival of traditional elements and techniques. Even today, boundary 2 remains an influential journal in post-modernist circles. Modernism Essay | Design Context. Greenberg: Modernism. Modernist Painting Forum Lectures (Washington, D. C.: Voice of America), 1960Arts Yearbook 4, 1961 (unrevised)Art and Literature, Spring 1965 (slightly revised)The New Art: A Critical Anthology, ed.

Gregory Battcock, 1966Peinture-cahiers théoriques, no. 8-9, I974 (titled "La peinture moderniste")Esthetics Contemporary, ed. Richard Kostelanetz, 1978Modern Art and Modernism: A Critical Anthology. ed. Francis Frascina and Charles Harrison, 1982. Greenberg's first essay on modernism, clarifying many of the ideas implicit in "Avant-Garde and Kitsch", his groundbreaking essay written two decades earlier. ... the use of characteristic methods of a discipline to criticize the discipline itself, not in order to subvert it but in order to entrench it more firmly in its area of competence.

Modernism includes more than art and literature. The self-criticism of Modernism grows out of, but is not the same thing as, the criticism of the Enlightenment. Postscript (1978) Introduction to Modernism. Fountain. Marcel Duchamp - French Artist. Henri-Robert-Marcel Duchamp, was born on July 28th, 1887, near Blainville, France. In 1904, he traveled to Paris to join his artist brothers, Raymond Duschamp-Villon and Jacques Villon. In Paris, Marcel studied painting at the Academie Julian, until 1905. His early work was Post-Impressionist. In 1908, Duchamp’s work was exhibited at the Salon di Automne, and in 1909 at the Salon des Independants, both in Paris.

In 1911, at their Puteaux home, the brothers hosted a regular discussion group with other writers and artists, including: Picabia, Fernand Leger, Jean Metzinger, Albert Gleizes, Robert and Sonia Delaunay, Juan Gris, Roger de la Fresnaye and Alexander Archipenko. Orphism, led by the Delaunays, sought to produce pure color harmonies as independent of nature as music. In 1912, Duchamp produced two of his iconic works: Nude Descending a Staircase No. 2, and The Bride.

Duchamp’s Bride, was an even more disturbing development then his Nude. Jonathan Jones on how Duchamp's urinal revolutionised modern culture. The object in Tate Modern is white and shiny, cast in porcelain, its slender upper part curving outward as it descends to a receiving bowl - into which I urinate. It's just a brief walk from here in the fifth-floor men's loo to Marcel Duchamp's Fountain, an object sealed in a plastic display case on a plinth that is nevertheless almost identical to the receptacle into which I've just pissed. This museum treasure is no more or less than Duchamp described it to his sister in a letter of spring 1917: une pissotière en porcelaine. Duchamp warned against an attitude of "aesthetic delectation" that would transfigure his urinal into something artistic. Yet, as a visual form, it is bizarrely lovely, so white and incongruously ethereal, and as art it is ... well, there's a question already tripping me up. The eminent New Yorkers who ran the American Society of Independent Artists decided in April 1917 that it wasn't.

This, it seems to me, is the question no one asks about Duchamp. Marcel Duchamp. Marcel Duchamp (French: [maʁsɛl dyʃɑ̃]; 28 July 1887 – 2 October 1968) was a French-American painter, sculptor, chess player, and writer whose work is associated with Dadaism[1][2] and conceptual art,[3] although not directly associated with Dada groups. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the twentieth century, responsible for significant developments in painting and sculpture.[4][5][6][7] Duchamp has had an immense impact on twentieth-century and twenty first-century art.

By World War I, he had rejected the work of many of his fellow artists (like Henri Matisse) as "retinal" art, intended only to please the eye. Instead, Duchamp wanted to put art back in the service of the mind.[8] Importance[edit] Early life[edit] Of Eugene and Lucie Duchamp's seven children, one died as an infant and four became successful artists. Modernism. Hans Hofmann, "The Gate", 1959–1960, collection: Solomon R. Guggenheim Museum. Hofmann was renowned not only as an artist but also as a teacher of art, and a modernist theorist both in his native Germany and later in the U.S.

During the 1930s in New York and California he introduced Modernism and modernist theories to a new generation of American artists. Through his teaching and his lectures at his art schools in Greenwich Village and Provincetown, Massachusetts, he widened the scope of Modernism in the United States.[1] Modernism is a philosophical movement that, along with cultural trends and changes, arose from wide-scale and far-reaching transformations in Western society in the late 19th and early 20th centuries. History[edit] Beginnings: the 19th century[edit] However, the Industrial Revolution continued. The beginnings of modernism in France[edit] Influential in the early days of Modernism were the theories of Sigmund Freud (1856–1939). Explosion, early 20th century to 1930[edit]

Modern Art in West Asia: From Colonial to Post-colonial Period | Thematic Essay. Old Baghdad, 1972 Hafiz al-Droubi (Iraqi, 1914–1991) Oil on canvas, approx. 66 7/8 x 78 3/4 in. (170 x 200 cm) Baghdad Museum of Modern Art (listed as missing during 2003 invasion) In 1942, Hafiz al-Droubi became the first artist to open a freelance studio in Baghdad. He studied in Rome in 1936 and earned a government scholarship to attend Goldsmiths College in London. A pioneer of modern Iraqi art, he was a co-founder of the first Iraqi art society and a member of the prominent Pioneers. He is known for establishing the Impressionists Group in 1953, which, in spite of its name, was credited with encouraging experimentation in a variety of Western styles and techniques.

He became dean of the Iraqi Fine Arts Academy and was one of the four artists honored by the state at the al-Wasiti Festival in 1972. Al-Droubi, who influenced and mentored a generation of Iraqi and Arab artists, explored Surrealism and Futurism but is known for using the Cubist style to depict local themes. Modern Art in West Asia: From Colonial to Post-colonial Period | Thematic Essay.